The greenroom of Ravindra Bharathi becomes a stage for renowned mime artist and teacher Elena Serra. Seated comfortably on a chair, she adjusts her hair and contorts her lips to make strange sounds — ‘Vroom, daaak, phuuuu, zaaaap’ she utters, moving her hands animatedly; she is recreating the haphazard traffic situation in the city. “Hyderabad is nice but the street and traffic is not,” she smiles. Elena was in city for the MimArt International Festival, presenting a solo show and as one of the teachers at a three-day mime workshop
Elena, an Italian was 18 when she went to France. A dancer and artiste, she joined Marcel Marceau’ss International School of Mimodrama in Paris and after graduation began teaching with Marcel during internships and masterclasses in France, USA, Italy and Japan. “Mime is a universal emotion and movement,” she elaborates. For more than 30 years, the stage has been her companion. “Mime moves the body and a performer cannot lie on stage. The art is generous and touches everybody’s hearts,” she shares. In a mime act, the actors are able to communicate without words. “Mime can showcase every emotion, age and imagination, with heart and in silence. One uses text to convey in theatre but mime is about silence and movement. There could be few words but one has to feel the movement from inside.”
Elena Serra
When Elena saw a Charlie Chaplin movie, she was instantly attracted to his act, it made her cry and smile at the same time. She even tried to be like the legendary actor. “Artistes who are able to make the audience experience happiness and sorrow at the same time cast an impression and create real emotions,” she says. Besides being a mime artiste and teacher, she also acts in French and Italian stage shows as a comedian. Does it help if a mime artist knows dance too? “Knowing dance makes the movement easy but the danger is artistes might just be dancing on stage. Mime is being aware and in control of one’s body and movement. Mime includes acting and dancing but much more than that.” One often sees mime artists painting their faces white and making different gestures. “It is not art but an animation,” she remarks. “Everybody thinks mime is not a big art form. It is big — like puppetry, dancing, jazz or music.”
A mixed group at her workshop listens attentively when she explains how to create an illusion of transforming into different characters with basic movements. “This is not just about technique as the artiste has to respect the philosophy behind it.”
Since 2005, she has been teaching mime and pantomime arts at the Academy of Performing Arts in Paris and Italy and is glad she has been able to make a difference in her 30-year-mime-journey. “In this Mim International festival, I am the only woman among all male artistes. It is tough being a mother and artiste but I strive to go forward not because it is my choice but also to be an inspiration for the next generation.”
