S.R. Praveen
Vineeth Sreenivasan is in familiar territory, displaying his knack of keeping the audience engaged, even when telling stories that we have seen many a time before on-screen
Srivatsan S
Norwegian filmmaker Joachim Trier’s offering, told in a classic literary format with 12 chapters, with a prologue and an epilogue, marries the inner conflict of the restlessness of youth and the urgency to be a grownup
Srivatsan S
Norwegian filmmaker Joachim Trier’s offering, told in a classic literary format with 12 chapters, with a prologue and an epilogue, marries the inner conflict of the restlessness of youth and the urgency to be a grownup
Srivatsan S
Filmmaker Carey Williams’ second feature is kinetic and hilarious, while also being a rare film that gets the personal-is-the-larger-politics right
S.R. Praveen
Vineeth Sreenivasan is in familiar territory, displaying his knack of keeping the audience engaged, even when telling stories that we have seen many a time before on-screen
Karishma Upadhyay
With Gehraiyaan, the actor is turning his back on stereotypes, leaning into ‘real’ narratives, and letting director Shakun Batra’s collaborative process strengthen his craft
Karishma Upadhyay
With Gehraiyaan, the actor is turning his back on stereotypes, leaning into ‘real’ narratives, and letting director Shakun Batra’s collaborative process strengthen his craft
