Aniruddha Guha
At first glance, You comes across as a pretty straightforward urban thriller — boy meets girl, boy stalks girl, boy dates girl, boy kills girl’s friends he’s threatened by. But as the layers peel, you discover a quality missing in most similar concoctions of psychopathic protagonists and romantic notions: self-awareness. The voiceover (contemporary screenwriters’ go-to option for either exposition or character development) can be both informative and fun, or unwieldy and annoying. But creators
