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Think of Kerala and almost every video that tries to portray its art and culture would include the chenda — the longish wooden drum slung over the shoulders of the percussionists who beat it relentlessly for about an hour or more.
Its lesser known but equally important cousin, the mizhavu , is a big copper vessel that is covered at the mouth and placed in a custom-made wooden encasing ( mizhavana ).
Traditionally used as the backdrop to most forms of Kerala’s theatre, the mizhavu was played exclusively by the Nambiar community, especially those who hailed from the Ambalapuzha region, until the Kerala Kalamandalam infused some reformation in the 1960s.
The mizhavu has become more and more compact over the years. The older versions even went without the wooden casing.
Kunchan Nambiar, the famous satire-poet of Kerala from the 18th century, was a famous mizhavu player. His king-size instrument (the copper gone green over the years) is preserved at the Sree Krishna temple in Ambalapuzha.
Unlike the chenda , there are no drumsticks for the mizhavu . It is played purely with the hands. And even more recently, there have been attempts to perform the instrument as a solo ( thayambakam ) rather than as an accompaniment to Koodiyattam or other forms of theatre.
The credit for this move is generally given to 89- year-old P.K. Narayanan Nambiar, a legendary figure renowned for his scholarship in Koodiyattam and his mastery of the mizhavu .
At the ongoing ''Ramayanam Prabandhakoothu Mahotsavam'' — a local theatre fest — at the Ammannur Gurukulam in Inrinjalakuda, Kalamandalam Rajeev and his group performed a pancha thayambakam in mizhavu , featuring five percussionists on the drum, for the first time.
Listen to the beats of the mizhavu right here: