Rare Marathi films make way to NFAI vaults

The prints, which are in the 16mm and 35mm format, also contain some important Hindi films.

March 29, 2021 09:09 pm | Updated March 30, 2021 12:46 pm IST

NFAI Director Prakash Magdum with the prints.

NFAI Director Prakash Magdum with the prints.

In a major acquisition of vernacular cinema classics, the vaults of the city-based National Film Archive of India (NFAI) have added 89 film prints, a significant number of them from the ‘Golden Age’ of Marathi cinema.

Also Read | Get ‘First Day First Show’, our weekly newsletter from the world of cinema, in your inbox . You can subscribe for free here

The highlight of this collection is two rare Marathi films – the historical Tai Teleen (1953) and Pavanakathcha Dhondi (1966) which were considered to be hitherto lost, informed Prakash Magdum, Director, NFAI.

Tai Teleen , directed by K.P. Bhave, starred renowned artistes like Shanta Apte, Sudha Apte, Nalini Borkar and Zuzarrao Pawar, while Pavanakathcha Dhondi , directed by Anant Thakur had bagged the ‘Best Marathi Film’ at the 1966 National Film awards. Thakur had earlier directed the Raj Kapoor starrer Chori Chori in 1956 and this was his first film in Marathi,” informed Mr. Magdum.

Pavanakathcha Dhondi was notable for being produced by Usha Mangeshkar and had starred renowned Marathi stars Jayashree Gadkar, along with brothers Chandrakant and Suryakant, who played on-screen brothers in a rare instance.

The film was based on the popular novel by eminent litterateur G. N. Dandekar and the music was composed by Hridayanath Mangeshkar.

Another highlight of the collection is a famous Ram Gabale directed film, Dev Pavala (1950). The film starring D. Malavankar and Vishnupant Jog was shot at the iconic Prabhat Studio in Pune.

The prints, which are in the 16mm and 35mm format, also contain some important Hindi films.

“The collection includes 23 black-and-white Hindi films, a number of which are aesthetically and culturally significant. These include Shakti Samanta’s Naughty Boy (1962) with Kishore Kumar as the Hero, Mohan Kumar’s Aman (1967), which features rare cameo appearances by Ghazal maestro Jagjit Singh and philosopher Bertrand Russell. Other notable titles include Guest House (1959) by Ravindra Dave and Taj Mahal (1963) by M. Sadiq,” said Mr. Magdum.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.