Tony-and Grammy Award-winning lyricist Sheldon Harnick, who with composer Jerry Bock made up the premier musical-theatre songwriting duos of the 1950s and 1960s with shows such as Fiddler on the Roof, Fiorello! and The Apple Tree, has died. He was 99.
Known for his wry, subtle humour and deft wordplay, Harnick died in his sleep Friday in New York City of natural causes, said Sean Katz, Harnick's publicist.
Broadway artists paid their respects on social media, with Schmigadoon! writer Cinco Paul calling him “one of the all-time great musical theatre lyricists” and actor Jackie Hoffman lovingly writing: "Like all brilliant persnickety lyricists he was a pain in the tuchus."
Bock and Harnick first hit success for the music and lyrics to Fiorello!, which earned them each Tonys and a rare Pulitzer Prize in 1960. In addition, Harnick was nominated for Tonys in 1967 for The Apple Tree, in 1971 for The Rothschilds and in 1994 for Cyrano — The Musical. But their masterpiece was Fiddler on the Roof.
Bock and Harnick were first introduced at a restaurant by actor Jack Cassidy after the opening-night performance of "Shangri-La," a musical in which Harnick had helped with the lyrics. The first Harnick-Bock musical was The Body Beautiful in 1958.
"I think in all of the years that we worked together, I only remember one or two arguments — and those were at the beginning of the collaboration when we were still feeling each other out," Harnick, who collaborated with Bock for 13 years, recalled in an interview with The Associated Press in 2010. "Once we got past that, he was wonderful to work with."
They would form one of the most influential partnerships in Broadway history. Producers Robert E Griffith and Hal Prince had liked the songs from The Body Beautiful, and they contracted Bock and Harnick to write the score for their next production, Fiorello!, a musical about the reformist mayor of New York City.
Bock and Harnick then collaborated on Tenderloin in 1960 and She Loves Me three years later. Neither was a hit — although She Loves Me won a Grammy for best score from a cast album — but their next one was a monster that continues to be performed worldwide: Fiddler on the Roof. It earned two Tony Awards in 1965.
Based on stories by Sholom Aleichem that were adapted into a libretto by Stein, Fiddler dealt with the experience of Eastern European Orthodox Jews in the Russian village of Anatevka in the year 1905. It starred Zero Mostel as Teyve, had an almost eight year run and offered the world such stunning songs as Sunrise, Sunset, If I Were a Rich Man and Matchmaker, Matchmaker. The most recent Broadway revival starred Danny Burstein as Tevye and earned a best revival Tony nomination.
Harnick went on to collaborate with Michel Legrand on “The Umbrellas of Cherbourg” in 1979 and a musical of “A Christmas Carol” in 1981; Mary Rodgers on a version of “Pinocchio” in 1973; Arnold Black on a musical of “The Phantom Tollbooth;” and Richard Rodgers on the score to “Rex” in 1976, a Broadway musical about Henry VIII.
He also wrote lyrics for the song William Wants a Doll for Marlo Thomas' TV special Free to Be... You and Me and several original opera librettos, including Captain Jinks of the Horse Marines and Love in Two Countries. He won a Grammy for writing the libretto for The Merry Widow featuring Beverly Sills.
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His work for television and film ranged from songs for the HBO animated film The Tale of Peter Rabbit in 1991 with music by Stephen Lawrence, to lyrics for the opening number of the 1988 Academy Awards telecast. He wrote the theme songs for two films, both with music by Cy Coleman: The Heartbreak Kid in 1972 and Blame it On Rio in 1984.
Kristin Chenoweth, who starred in a 2006 revival of The Apple Tree, on Twitter called it “one of my favourite professional experiences of my career,” adding about Harnick: “I loved his musings. His writings. His soul.”
