‘Govinda Naam Mera’ movie review: Vicky Kaushal’s film has a shallow storyline and worn-out writing

Despite a bunch of colourful characters, Shashank Khaitan’s comic thriller fails to impress, and in the end, the title remains the only whacky thing about this ungainly chaos

December 16, 2022 03:37 pm | Updated 03:37 pm IST

Vicky Kaushal in a still from ‘Govinda Naam Mera’

Vicky Kaushal in a still from ‘Govinda Naam Mera’ | Photo Credit: Disney+ Hotstar

At the heart of Govinda Mera Naam is a dilapidated bungalow with several claimants, but as it turns out, the bedraggled set piece becomes a metaphor for the worn-out writing that the talented ensemble cast seeks to restore by filling it with some moments of mirth and magic. The competent cast tries hard to keep the bloated boat afloat, but their efforts get drowned in the sea of superficial writing. A Dharma production, it reminds us of its inane Drive (2019) to nowhere, despite having a competent driver.

After mounting three endearing romantic comedies, writer-director Shashank Khaitan fumbles in plotting a comic thriller with dark undertones. There’s no doubt that Khaitan has created a bunch of colourful characters, but he struggles to generate humorous situations around a self-seeking lot. Without credible motivations, they remain as just cardboard floating on shallow puddles of the insipid imagination of the creator.

Just like Govinda (Vicky Kaushal), who is struggling to jive to the jarring tunes of life. An emerging choreographer, he is caught between a domineering spouse Gauri (Bhumi Pednekar), and a demanding girlfriend Suku (Kiara Advani). Together with his stroke-survivor mother (Renuka Shahne), Govinda is locked in a court battle with his stepbrother to retain his late action director father’s house.

Govinda Mera Naam
Director: Shashank Khaitan
Cast: Vicky Kaushal, Kiara Advani, Bhumi Pednekar, Renuka Shahne, Sayaji Shinde and Dayanand Shetty
Runtime: 131 minutes
Storyline: Caught between a bossy wife and a smart girlfriend, the charming Govinda Waghmare finds himself in a whirlpool of chaotic situations.

In between, there is a shady businessman (Sayaji Shinde) keen to use the choreographer to launch the music video of his singer-son (Jeeva) who is more addicted to drugs than music. Add a clever cop (Dayanand Shetty), a snooping maid (Tripti Khamkar), and a greedy insurance agent (Viraj Ghelani) to the mix and we have the ingredients to cook up a potent masala. However, it remains a drab exercise.

Keen to hide more than to tell during the long build-up, Khaitan could not establish the contours of the triangle in Govinda’s love life, giving the story a bobbling start. Then he indulges in jokes on disability which don’t land. When a dead body is found lying in the drawing room of the bungalow, we hope that the proceedings will finally spring to life, but it remains comatose.

There is not a single honest moment in the film that makes you surrender to the manufactured chaos on display. The crazy title promises some electric dance moves and music but there is hardly any current in the score. And, the sting in the tail that Khaitan keeps wrapped up comes long after we had given up on the shallow enterprise with a hollow premise. The natural flair and infectious charm of Vicky and Kiara fail to perk up the proceedings, and even the reliable Shinde and Shahane could not add any depth to the flimsy storyline. In the end, the title remains the only whacky thing about this ungainly chaos.

‘Govinda Mera Naam’ is currently streaming on Disney+Hotstar

Top News Today

Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in


Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.