Priests as art students argue for freedom of expression

Graduating art students display works at show titled ‘Labyrinth’ at RLV College

February 27, 2017 09:53 pm | Updated February 28, 2017 10:19 am IST

Fr. Jamesmon P.C. with his work.

Fr. Jamesmon P.C. with his work.

Kochi: Franciscan Jamesmon P.C. is no ordinary priest.

Pursuing graduation in painting at the RLV College of Music and Fine Arts, the chaplain of Athbhutha Mata (Our Lady of Miracles) Church at Thoppumpady, relies on the sheer depth of art in enriching his ministry.

“You should be able to see art as part of ‘lived’ life. It’s not something separate from spirituality. And if you see art in this perspective, you wouldn’t see art in a narrow-minded fashion, as you have regarding that controversial work of Tom Vattakkuzhy,” says Fr. Jamesmon, whose works were displayed alongside those of 32 other graduating art students of RLV at a show titled ‘Labyrinth’.

But wasn’t it the Catholic Church that took umbrage at Vattakkuzhy’s The Last Supper , you ask him. “Unfortunately, yes. There have been mistakes in seeing art as art.”

Fr. Jamesmon paints labyrinths, Colosseum-like structures, which he thinks have a connect with nature. “The laterite bricks, their texture, I like it. I’m also fond of the Graeco-Roman architecture, especially the doors that open to a spiritual realm. It’s the connect of man-made structures with nature that I seek to explore. As for art, anyway, it deals with human lives. Once you are ordained as a priest, you deal with human beings, trying to help them better their lot through spirituality. Hence the connection,” says Fr. Jamesmon, who also wishes to pursue a masters in fine arts.

Another Franciscan, Joseph Joyson had his series titled Surge at the show. “It’s about light, the source of energy that lies deep within us all. And the series is an exploration of that fount of energy,” he says, insisting that spirituality is not something unrelated to mundane daily life. “While we all work within our limitations, we see the reflection of our self in what we do and constantly search for the light that brightens it,” he says.

Fr. Joyson had begun drawing at a very young age, and like Fr. Jamesmon, had done missionary work in various parts of India and Europe. He likes to conduct intense studies on the ‘sacred arts’ of art conservation, iconography, and stained glass painting, besides art therapy.

Labyrinth, which closed at the college the other day, had painting, sculpture, and applied arts students putting up their works as part of their academic requirement-cum-exhibition.

Several noteworthy works, like Lisa Herzeline Raphael’s fibre sculpture in her untitled ‘dream series’, portraying women in various dream states, with the creatures and objects in their dreams emerging from under their heads; Sangeeth Sivan’s clay and water colour paintings on paper that recreate mysterious, old-worldly scenes; Kunjikkuttan Narayanan’s evolving painting studio where he also performed; and the works of applied arts students stood out in the show.

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