• Using digital prints of handmade art has been an issue of concern in India — be it a gond painting or an ikat weave in the past, or more recently, when designer Sabyasachi drew flak for using digital prints of sanganeri and kalamkari , among other ancient forms, for his collab with international brand H&M. So, fashion writers have begun asking some tough questions. Is traditional art and its makers losing out in this process of commercialisation and digital reproductions? Are we depriving artists of opportunities, then?
  • Standing his ground, Saluja says, “Saundh was founded with the aim to provide designer wear at an accessible price point for the larger audience. While we are inspired by India’s rich craft and cultural heritage, the brand, since its inception, has been using digital prints across its collections. So far, we haven’t incorporated handcrafted techniques or worked with artisans to revive Indian crafts. We are inspired by everyday art that we see around us, which are then reimagined into collections offering our own take on these concepts.”