Flight delayed by a few hours? It won’t be as much a waste of time, if you considered taking a mini art tour across Chennai Airport. Over the course of the last couple of years, ever since the new airport was opened in 2013, 37 murals and four sculptures have been installed in both the domestic and international terminals — the most recent ones being those of a Nataraja in Thandavam pose and Yudhisthira’s ratha.
“We were asked to make two sculptures that are reminiscent of Tamil Nadu culture, by the Airport Chairman (R. K. Srivastava), for the Global Investors Meet, which took place in September. So, after a lot of brainstorming, we thought, why not bring out Nataraja and Yudhisthira’s ratha, which people can immediately associate with the heritage here,” says Neelam Dhanda, co-owner of the 12-year-old Sunny Sistems — The Art Gallery, which has executed all the installations at the airport.
The two installations were set up just a few days ahead of the investors meet, on August 30. “The 12-and-a-half-foot-high Nataraja is visible from everywhere in the arrival hall. It’s made of fibre, and has been made to look as if it has been made out of wood, and coloured in the way wooden sculptures are coloured traditionally,” says Uday Dhanda, son of Neelam, who coordinated with 18 artisans to create the works in 55 days.
Yudhisthira’s ratha, one of the five rathas which can be seen in Mahabalipuram, has Arjuna’s Penance (a stone carving at Mahabalipuram) etched on three sides, and the guardians of heaven, or dwarpals, on the back. Placed at the departure section, the 16-foot-high installation, which looks like a slice out of the Shore Temple, is also lit up with 102 lights. “I wouldn’t be surprised if a few people took snaps in front of it and told their friends that they actually visited the site at Mahabalipuram. It is that real,” Uday says with a laugh.
The challenge for the team was to bring out an imposing installation that stands out in the busy venue, but at the same time doesn’t eat into the space that sees thousands of people per day. “So, we had to take care that we consumed only a limited footprint. At first glance, people should be able to connect with it; that was our intention,” says Neelam. “Not everyone is going to take the effort or have the time to visit a gallery or tourist spots here, so the installations are a reflection of what the city has in store for them,” she adds.
The previous installations done by the team include those that depict Tamil festivals, dances and processions, besides those of a horse that’s been hand-made with brass and copper sheets and of a boat that depicts the city’s dependence on the ocean. As far as the International Terminal is concerned, there are swans, peacocks, horses and a separate series on the Indian dance forms.
