Nivetha Thomas, Anjali and Ananya Nagalla with Pawan Kalyan

‘Vakeel Saab’ movie review: Pawan Kalyan amplifies ‘no means no’ in a masala-laced adaptation

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Nayanthara in ‘Nizhal’

‘Nizhal’ movie review: Starts with a bang, ends with a whimper

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Abhishek Bachchan in ‘The Big Bull’

‘The Big Bull’ movie review: Perfunctory storytelling, lacking an original vision

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Fahadh Faasil in ‘Joji’

‘Joji’ movie review: Dileesh Pothen scores a hat-trick with this perceptive study of criminality

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A still from ‘The Serpent’ on Netflix

‘The Serpent’ review: Confessions of a charming psychopath

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A still from ‘Mandela’

‘Mandela’ movie review: Yogi Babu excels in a film that understands caste structure and vote-bank politics

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Gambling with ideas

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Vibrant shots

Special Correspondent
 

The four-hour challenge in Carnatic music

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Pantula Rama

Right choice of compositions

G. Swaminathan
 

Many moods of melody

MEENA BANERJEE
Blending Bundelkhandi art forms: A scene from “Saadhu Aur Sundari”

Celebration of theatre

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Evoking nostalgia: Danish Iqbal

Know your Ghalib from Danish Iqbal

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Rahul Chakyar presented a four-hour Nirvahanam segment on a wooden stool

Koodiyattam on a wooden stool!

Achuthan T.K.
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Dancers explore themes and emotions

Bhanu Kumar