Abhishek Bachchan in ‘The Big Bull’

‘The Big Bull’ movie review: Perfunctory storytelling, lacking an original vision

Sayan Ghosh
Fahadh Faasil in ‘Joji’

‘Joji’ movie review: Dileesh Pothen scores a hat-trick with this perceptive study of criminality

S.R. Praveen
A still from ‘The Serpent’ on Netflix

‘The Serpent’ review: Confessions of a charming psychopath

Mini Anthikad Chhibber
A still from ‘Chathur Mukham’

‘Chathur Mukham’ movie review: Manju Warrier’s ‘techno-horror’ has a few surprises up its sleeve

S.R .Praveen
A still from ‘Mandela’

‘Mandela’ movie review: Yogi Babu excels in a film that understands caste structure and vote-bank politics

Srivatsan S
Frances McDormand in ‘Nomadland’

‘Nomadland’ movie review: A graceful, moving portrait of van-dwelling America

Gautam Sunder
A still from ‘The Kid Detective’

‘The Kid Detective’ movie review: Adam Brody’s finally grown up

Mini Anthikad Chhibber
A still from ‘Madame Claude’

‘Madame Claude’ movie review: Wearisome retelling of the French icon’s rise and fall from grace

Sayan Ghosh
‘Seaspiracy’ on Netflix

‘Seaspiracy’ review: Fact and fiction meet fish in controversial Netflix documentary

Aswathi Pacha

Gambling with ideas

K. Sundara Raj

Vibrant shots

Special Correspondent
 

The four-hour challenge in Carnatic music

G. Swaminathan
Pantula Rama

Right choice of compositions

G. Swaminathan
 

Many moods of melody

MEENA BANERJEE
Blending Bundelkhandi art forms: A scene from “Saadhu Aur Sundari”

Celebration of theatre

Diwan Singh Bajeli
Evoking nostalgia: Danish Iqbal

Know your Ghalib from Danish Iqbal

S. RAVI
Rahul Chakyar presented a four-hour Nirvahanam segment on a wooden stool

Koodiyattam on a wooden stool!

Achuthan T.K.
Dakshina Vaidyanathan Baghel

Dancers explore themes and emotions

Bhanu Kumar