A still from ‘Without Remorse’

‘Without Remorse’ movie review: Michael B. Jordan thriller is eminently forgettable

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Anthony Hopkins in a still from ‘The Father’

‘The Father’ movie review: Anthony Hopkins’ Oscar-winning act leaves you with a heavy heart

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‘Shadow and Bone’ season one review: All hail the Grishaverse

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A still from ‘Zero’

‘Zero’ review: Delightfully-grounded take on the superhero origin story

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A still from ‘The Falcon and The Winter Soldier’

‘The Falcon and The Winter Soldier’ review: What does it mean to be Captain America?

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A still from ‘Mortal Kombat’

‘Mortal Kombat’ movie review: A sluggish reboot that has no Mortal Kombat tournament

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Aidan Turner in ‘Leonardo’

‘Leonardo’ review: Aidan Turner’s Renaissance murder-mystery just about makes the cut

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Ehan Bhat and Edilsy Vargas in ‘99 Songs’

‘99 Songs’ movie review: Composer AR Rahman, and not the writer, is who we need more of

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Aditi Rao Hydari and Konkona Sen Sharma in ‘Ajeeb Daastaans’

‘Ajeeb Daastaans’ review: Netflix anthology fails to break new ground, but is an earnest attempt

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Gambling with ideas

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Vibrant shots

Special Correspondent
 

The four-hour challenge in Carnatic music

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Pantula Rama

Right choice of compositions

G. Swaminathan
 

Many moods of melody

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Blending Bundelkhandi art forms: A scene from “Saadhu Aur Sundari”

Celebration of theatre

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Evoking nostalgia: Danish Iqbal

Know your Ghalib from Danish Iqbal

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Rahul Chakyar presented a four-hour Nirvahanam segment on a wooden stool

Koodiyattam on a wooden stool!

Achuthan T.K.
Dakshina Vaidyanathan Baghel

Dancers explore themes and emotions

Bhanu Kumar