A still from ‘Vincenzo’

‘Vincenzo’ review: Dramatic entertainment from the get-go

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A still from ‘The Innocent’

‘The Innocent’ review: Spanish adaptation of Harlan Coben thriller works better than the novel

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THE MITCHELLS VS. THE MACHINES - (L-R) Abbi Jacobson as “Katie Mitchell", Maya Rudolph as “Linda Mitchell", Danny McBride as “Rick Mitchell”, Doug the Pug as “Monchi”, Mike Rianda as “Aaron Mitchell”, Fred Armisen as "Deborahbot 5000" and Beck Bennett as "Eric".

‘The Mitchells vs. the Machines’ movie review: A sweet, futuristic film with visual verve

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A still from Chaitanya Tamhane’s ‘The Disciple’

The Disciple’ movie review: A window into the inner conflicts plaguing an artist, short artfully

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A still from ‘Without Remorse’

‘Without Remorse’ movie review: Michael B. Jordan thriller is eminently forgettable

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Anthony Hopkins in a still from ‘The Father’

‘The Father’ movie review: Anthony Hopkins’ Oscar-winning act leaves you with a heavy heart

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A still from ‘The Falcon and The Winter Soldier’

‘The Falcon and The Winter Soldier’ review: What does it mean to be Captain America?

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A still from ‘Zero’

‘Zero’ review: Delightfully-grounded take on the superhero origin story

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‘Life in Color’ with David Attenborough

‘Life in Color’ review: David Attenborough makes us marvel at the world yet again

Aswathi Pacha

Gambling with ideas

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Vibrant shots

Special Correspondent

The four-hour challenge in Carnatic music

G. Swaminathan
Pantula Rama

Right choice of compositions

G. Swaminathan

Many moods of melody

Blending Bundelkhandi art forms: A scene from “Saadhu Aur Sundari”

Celebration of theatre

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Evoking nostalgia: Danish Iqbal

Know your Ghalib from Danish Iqbal

Rahul Chakyar presented a four-hour Nirvahanam segment on a wooden stool

Koodiyattam on a wooden stool!

Achuthan T.K.
Dakshina Vaidyanathan Baghel

Dancers explore themes and emotions

Bhanu Kumar