An artistic collaboration

The second edition of Seekers brings together Anil Srinivasan, Sid Sriram, Ghatam Karthick, and J. Vaidyanathan

September 06, 2018 04:30 pm | Updated 04:30 pm IST

“We are both seeking the sweet spot, the point where our artistic influences collide,” says pianist Anil Srinivasan. The ‘we’ he’s referring to, of course, involves vocalist Sid Sriram: together, the duo have created quite a rage with their live performances. In fact, their last Seekers production, an effort to raise funds for Chennai’s Brahma Gana Sabha, was so popular that they decided to do it again. This time, though, it’s a little different.

CHENNAI: 09/12/2009: Piano Artist Anil Srinivasan, at an interview with `The Hindu  Metro Plus - Weekend, in Chennai on Wednesday. Photo: S_S_Kumar

CHENNAI: 09/12/2009: Piano Artist Anil Srinivasan, at an interview with `The Hindu Metro Plus - Weekend, in Chennai on Wednesday. Photo: S_S_Kumar

The duo transforms into a quartet, bolstered by the mastery of J. Vaidyanathan’s mridangam and S. Karthick ghatam abilities. At first glance, it seems like another musical interpretation. But the artistes are quick to clarify: there is no pakkavadhyam here.

Chennai, 14/07/2018 : Ghatam Karthick performing at Sri Kapaleeswarar Temple in Chennai on Friday. Photo : S. R. Raghunathan

Chennai, 14/07/2018 : Ghatam Karthick performing at Sri Kapaleeswarar Temple in Chennai on Friday. Photo : S. R. Raghunathan

“The four of us will be on stage reacting to one another, passing the creative baton,” Sid says.

Using Carnatic music as the base, Anil and Sid plan to do what they do best: explore multiple styles together, drawing from the influences that have shaped them. Anil calls it the hub-and-spoke model, with the Carnatic system acting as the hub that everything leads back to, eventually.

It’s no surprise, then, that the upcoming edition of the collaboration integrates instruments traditionally used in the kutcheri format. However, the artistes plan to use their experience in film and fusion genres, presenting something that Sid hopes to be a “collaborative exploration of their musical spontaneities.”

“While J. Vaidyanathan is known for his ability to adapt to various styles, I have had the benefit of collaborating with a host of artistes and film music directors. This is helpful in capturing a certain groove for the concert allowing us to elevate Sid and Anil’s music to an even greater level,” Karthick explains.

CHENNAI, 29-12-2013:  J Vaidyanathan mridanga vidwan accompanied with Sangeetha Sivakumar vocal concert at The Music Academy  in Chennai.     Photo: K_V_Srinviasan

CHENNAI, 29-12-2013: J Vaidyanathan mridanga vidwan accompanied with Sangeetha Sivakumar vocal concert at The Music Academy in Chennai. Photo: K_V_Srinviasan

The inclusion of percussion, however, is not a novelty. In fact, it’s something Anil’s been doing for over ten years. “The piano itself is a percussive instrument – melodic in ways, but with percussive aspects. And both artistes joining us are close friends and well known, so I think the addition of these elements will keep the Carnatic moorings in place and create a foundation for Sid and I to explore,” Anil adds.

Promising to fill the show with well-known film and classical numbers, Sid says the team is set for an evening of collaborative resonances.

The concert will be held on September 9 (6.30 p.m.) at Narada Gana Sabha.

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