‘The Jengaburu Curse’ series review: A noble cli-fi that lacks cinematic heft

The seven-episode climate-fiction series, directed by Nila Madhab Panda, leaves us wanting more, as the story never comes alive grippingly on screen and even the big reveals don’t come across as organic

August 11, 2023 04:04 pm | Updated 04:12 pm IST

A still from ‘The Jengaburu Curse’

A still from ‘The Jengaburu Curse’ | Photo Credit: SonyLiv/YouTube

The Jengaburu Curse (meaning ‘Curse of the red hills’) is set in a region hardly represented in mainstream Indian cinema. Director Nila Madhab Panda (I Am Kalam, Kadvi Hawa, and Jalpari: The Desert) sets up a thriller in his home state of Odisha with a focus on the climate crisis. The makers’ claim of the series being India’s attempt at the cli-fi (climate fiction) genre isn’t pretentious, as you sense a genuine interest in addressing the issue.

However, the seven-episode series leaves us wanting more as the well-written story never comes alive grippingly on screen. The wobbly cinematic elements (especially the production value) trump a decent narrative.

The Jengaburu Curse (Hindi)
Director: Nila Madhab Panda
Cast: Nasser, Makarand Deshpande, Fariah Abdulla
Runtime: 45 minutes each episode
Storyline: Priya Das, a London-based financial analyst, rushes to her home state of Odisha when she learns that her father has gone missing. Soon, she finds an important connection between a mining company in her town and the people from the Bonda tribe

Priya Das (an earnest Fariah Abdulla), financial analyst, flies back to Odisha from London when she learns that her father has gone missing. The police tells her that her father, a former professor and an activist, has been kidnapped by the Naxals. Soon, Priya realises there is more to it than meets the eye. As expected, she is in the middle of a suspected corporate crime that threatens to wipe out the Bonda tribe of Odisha.

An array of characters complement the dark tone of the series. There is a British whistleblowing couple, a senior NGO consultant (Nasser), a benevolent local doctor (Makarand Deshpande) supporing the rebels, a corrupt minister, and an amoral cop. But similar to the film’s premise, these promising characters never take off to reveal more layers.

The realistic locations (including the forest) enhance the serious mood of the film, but after a point, the geographical setting takes a backseat as the story takes a painfully slow time in unraveling the consequences of illegal mining. Even the big reveals don’t come across as organic. It’s as if the makers succumbed to the pressure of ending each episode with a big twist, as some of them feel more theatrical than believable.

In any powerful versus powerless story a filmmaker must delve deep into both worlds. In TheJengaburu Curse, the plight of the tribals hasn’t been explored in detail, save for one moving scene where they talk about being united to fight the greedy corporate giants. There is a display of naxal violence, but the series isn’t interested in exploring the standpoint of these rebellious people.

ALSO READ:‘OMG 2’ movie review: Akshay Kumar and Pankaj Tripathi have a talk with society

Like a typical film on the vested intentions of mining lords, this series also reveals a dangerous secret hidden by the mining company (called Dutta Mines). With enough hints available in the earlier episodes, it’s not difficult to guess the final surprise, which changes the series’ central conflict into a global issue. 

The Jengaburu Curse keeps you curious in places, but it lacks the cinematic heft to make it largely engaging.

The Jengabura Curse is currently streaming on Sony LIV.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.