‘Baby’ movie review: Anand Deverakonda, Vaishnavi Chaitanya star in an exceptionally long, silly romantic feature

Helmed by Sai Rajesh, Anand Deverakonda’s latest reads like a moral story with the protagonist actually spelling out the moral three-fourths into the movie

July 14, 2023 05:39 pm | Updated 07:12 pm IST

A still from ‘Baby’

A still from ‘Baby’

While that was two hours and 45 minutes of my life I will never get back, Baby, unlike most of its contemporaries inches towards being tonally neutral and sensitive when it comes to portraying its female characters.

Anand (Anand Deverakonda) and Vaishnavi (Vaishnavi Chaitanya) are neighbours and high-school sweethearts who grow up in a basti experiencing a meagre way of life. Vaishnavi’s parents are eager to see her make it out of poverty and encourage her to enrol in an engineering college in the city. Meanwhile, Anand stays back and chooses to make a living as an auto driver. 

Baby (Telugu)
Director: Sai Rajesh
Cast: Anand Deverakonda, Vaishnavi Chaitanya, Viraj Ashwin, Nagababu, Kusuma Degalamarri, Sathvik Anand
Runtime: 175 minutes
Storyline: High-school sweethearts face challenges in their relationship when they take different directions in life

Vaishnavi takes to the charms of the city quite quickly and attempts to work her way up the social hierarchy, with the help of a few friends who encourage her to alter her appearance by whitening her skin, wearing branded clothes and dying her hair. This new lifestyle throws a wrench in her love life as Anand is convinced that Vaishnavi is not being true to herself, and in the heat of the moment calls her names. 

At the same time, Vaishnavi is introduced to Viraj (Viraj Ashwin), the college heartthrob who does not shy away from flashing his expensive cars for clout. Their friendship quickly turns tumultuous when Viraj professes his love for her. 

The next one-hour 40-odd minutes of the movie is spent in Vaishnavi trying to manage the weird love triangle she has brought to life with her choices. The critique of greed and materialism that the film tried to build in the first half goes for a toss with a messy sexual agreement between two characters, an unintentionally funny confrontation by the trio, a failed suicide attempt, and the death of a parent. The sequence of the events ends up working as a catalyst for the audience to lose interest in the characters, and their emotions and aspirations; the length of the movie does not help.

However, it is endearing to watch flawed characters on screen that are not siloed into good or bad.

Vaishnavi Chaitanya does the heavy lifting for most of the film and convinces the audience to root for her even during her missteps, but Anand Deverakonda falters while playing the miserable lover. The supporting characters are not given their due as their behaviour tends to arbitrarily change to the whims of the director to advance the narrative.

Eventually, Baby runs like a moral story with the protagonist actually spelling out the moral three-fourths into the movie.

Baby is currently running in theatres 

Top News Today

Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in


Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.