Reading two travelogues about Afghanistan in the 1920s — when the reformist King Amanullah tried to steer his country towards modernity by encouraging education for girls — is an enriching experience. Both Desh Bideshe by Syed Mujtaba Ali (translated from Bengali as In a Land Far from Home: A Bengali in Afghanistan by Nazes Afroz, Speaking Tiger Books) and All the Roads are Open: The Afghan Journey by Annermarie Schwarzenbach (translated from German by Isabel Fargo Cole, Seagull Books) offer an absorbing account of Afghan society. The writers had access across various strata of society; a privilege they did not abuse but handled with dignity.
Texts translated competently into the destination language give the reader an intimate access to a new culture. Many of the new translations are usually in English — a language of socio-political, economic and legal importance. Even literary prizes recognise the significance. For instance, Hungarian writer László Krasznahorkai won the 2015 Man Booker International Prize, which is awarded once in two years. Lauding his translators — George Szirtes and Ottilie Mulzet — Krasznahorkai said, “In each language, the relationship is different.” He uses unusually long sentences and admits, “The task was to somehow find a new Krasznahorkai English”. He continues, “In China once, I was speaking at a university about my books and said that, unfortunately, you couldn’t read them there, and someone in the audience put their hand up and said that there was a translation of Satantango on the net that had been done chapter by chapter by people who loved it. Of course, I was delighted.” (http://bit.ly/1Kx4R1g )
Readers matterAt BookExpo America 2015, New York, Michael Bhasker, Publishing Director, Canelo Digital Publishing said, “Readers are the power brokers who matter most. Readers are the primary filters.” This is immediately discernible on social media platforms — extraordinarily powerful in disseminating information, raising profiles of authors, creating individual brands rapidly circumventing geo-political boundaries, transcending linguistic hurdles and straddling diverse cultures. According to Kannan Sundaram, Publisher, Kalachuvadu, “Indian language writers are as good as or often better than their contemporaries writing in English. Often they are not proficient in English and savvy in handling social media, limiting their exposure on the national and international stage and media. I represent many such writers in Tamil like Salma and Perumal Murugan and have managed to get many of their works published in English, Indian and world languages.”
‘India@Digital.Bharat’, a report by BCG and IAMAI, forecasts India becoming a $200 billion Internet economy by 2018. The use of vernacular content online is estimated to increase from 45 per cent in 2013 to more than 60 per cent in 2018. (http://bit.ly/1Kx9ZCv). Osama Manzar, Founder, Digital Empowerment Foundation says, “The Internet is English centric by its invention, character and culture. It has been growing virally and openly because it is brutally democratic and open. Yet, it is highly driven through the medium of writing as means of participation, a challenge for Indians who are more at ease with oral communication than written. Plus, they are fascinated by English as a language. More so, responsiveness and real-time dynamism of various applications is making people join the Internet even if they don’t know the language of prevailing practices. And because of multi-diversity oriented people joining the Internet, application providers are turning their apps and web multilingual to grab the eyeballs of people and their active participation.”
Writer and technologist Anshumani Ruddra asks pointedly, “If India is to hit 550 Million Internet users by 2018, where are the vernacular apps for more than 350 million (non-English speaking) users?” (http://bit.ly/1Kxa4Gx ) Venkatesh Hariharan, Director, Alchemy Business Solutions LLP, adds “the time is right for Indian language computing using Unicode, especially since the government of India is actively promoting e-governance”.
A constructive engagement across linguistic and cultural boundaries is essential. An international funder once told me supporting writers is a cost-effective way of fostering international bilateral relations. It is easier, in the long run, to negotiate business partnerships as the two nations would already be familiar with each other culturally via literary cross-pollination programmes.
EXCLUSIVE: OxyGene Films (U.K.) has announced a film project based on Tabish Khair’s recent novel, How to Fight Islamist Terror from the Missionary Position . Details of the Danish-British collaboration, with possible Bollywood connections, are to be announced later.
