An excuse for hero worship, yet again

Masterpiece has eyes only for its hero, offers no surprises

December 23, 2017 11:28 pm | Updated 11:28 pm IST

Masterpiece is quite an audacious title for a film. When a creator decides to give that name to his or her work of art, it points at a few things. In the case of a film, it can be a hint that the director has given it his all, and the work is the pinnacle of his artistic achievement.

Or, it could be just a word play that has some connection to the narrative. In the case of Ajai Vasudev’s Masterpiece though, one is left wondering even as the end titles roll by, as to why was it called masterpiece after all.

The only possibility one can find is the title being just one more excuse for hero worship, which the film revels in.

The story, set around a college campus has more than a few similarities to another recent superstar movie.

Two rival gangs in this college, creatively named ‘Real fighters’ and ‘Royal warriors’ are at war with each other. Their constant fights for one-upmanship lead to an unfortunate incident. When the whole situation looks irredeemable, in walks the new professor Edward Livingstone (Mammootty), to be the saviour.

The movie has all the elements one has come to expect from the pen of Udayakrishna, who also plays a cameo in it. It all plays out like something produced from an assembly line, right from the sequences on the college campus, complete with the usual lame canteen jokes to the two gangs perpetually running through the corridor, pumping their fists and brandishing hockey sticks.

With Mammootty’s entry, after an hour into the proceedings, expectedly the focus shifts to him, as students and teachers sing his praises and even the principal, whistling for him, as he walks in slow motion. The second half is a series of fights, interspersed with a crime investigation, the grand twist of which is revealed in a long monologue at the end, like in the good old 1990s.

Sole novelty

The only novelty in the whole saga is the punchline, “I respect women,” delivered by the superstar on four separate occasions. After all the lines celebrating misogyny in several superstar movies over the years, this indeed was some novelty. Just that, with every repeat of that one line, it felt more out of place and half-hearted.

Even Santosh Pandit, that master of youtube kitsch, who plays a side character, will not consider this movie his masterpiece.

S.R. Praveen

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.