Shri Bavaani Amman Therukkoothu Nataka Manram, Kanchipuram, presented ‘Alamugasooran Samhaaram’, an unusual story of Arjuna being helped by Draupadi, who takes on the Kali avatara to kill the asura. The show was organised on Sunday last as part of the Mahakumbabhishekam festival at Shri Thiruveedi Amman Temple, Medavakkam. Despite there being no infrastructure, no mike and no stage, the presentation under the spotlights in the temple courtyard, was riveting. The part-time musicians and actors, 17 in all, took on multiple roles and were masterly in their timing and delivery.
Therukoothu employs classical Carnatic ragas. That evening, melody from the mukhaveena, a smaller version of the nagaswaram, was a give away as strains of Anandabhairavi, Yadukulakhambodi, etc., sounded familiar; the singing, however, was high-pitched and less tuneful. It was interesting to note that the language of the main characters and that of the songs was chaste Tamil, while the kattiyakkaran spoke in local slang. The humour was slapstick, sometimes sadistic and sometimes crass, but it served to keep the audience in rapt attention from 10.45 p.m.-6.30 a.m.
Credits: Kesavan (Alamugasooran), Rose (Dharma), Jeyabalan (Bhima), Manikandan (Arjuna, Amrithavalli), Jeyakumar (Kattiyakaran, Narada, Krishna), Balu (Draupadi, Kali), Chidambaram (Nakula, Amrithavalli’s friend), Sukumar (Kattiyakaran, Amrithavalli’s friend), mukhaveena (Murugan), Ragupati (harmonium) and Mani (mridangam). Special mention for the enthusiastic, 13-year old Regan (Below left), who played Sahadeva and Amrithavalli’s friend. He joined the group four years ago when in the fifth standard because he was so taken up with Therukkoothu.
(Text by Rupa Srikanth)
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
Shri Bavaani Amman Therukkoothu Nataka Manram, Kanchipuram, presented ‘Alamugasooran Samhaaram’, an unusual story of Arjuna being helped by Draupadi, who takes on the Kali avatara to kill the asura.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
Therukoothu employs classical Carnatic ragas.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
It was interesting to note that the language of the main characters and that of the songs was chaste Tamil, while the kattiyakkaran spoke in local slang.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
A therukoothu performer getting ready in Chennai
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
Audience enjoying 'Alamugaasooran Samhaaram' at Medavakkam.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
The part-time musicians and actors, 17 in all, took on multiple roles and were masterly in their timing and delivery.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
A therukoothu performer.
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
A therukoothu performer
![](https://www.thehindu.com/theme/images/th-online/1x1_spacer.png)
Despite there being no infrastructure, no mike and no stage, the presentation under the spotlights in the temple courtyard, was riveting.