Looking back at The Hindu ’s cartoon legacy spread across different political eras, what stands out is the choice of visual metaphors that seem to have a trans-temporal and trans-spatial quality. The quality that proves the dictum ‘continuity with constant change’ shapes the media narrative. For instance, David Low used the bus as a metaphor to portray the idea of Partition in his 1946 cartoon titled “Missed the bus”. This cartoon showed Muhammad Ali Jinnah standing with a suitcase marked ‘Pakistan’, while the departing bus was marked as ‘New India’.
In 1965, when there was squabbling between the Communists and the Samyukta Socialist Party over the composition of the Cabinet to form a coalition government in Kerala, Jomton (pseudonym for John Thomas) drew a cartoon using the bus metaphor. Leaders led by E.M.S. Namboodiripad were depicted as missing the ‘unstable party rule’ bus, while people were getting ready to receive the next bus marked ‘President’s Rule’.
Writing about cartooning in India, R.K. Laxman explained how “we have advanced a great deal in the field of cartooning, putting the British, from whom we learnt this art, far behind us” (
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
When Rajinder Puri left Hindustan Times in 1967 to become a freelancer, The Hindu worked out an arrangement with him. His cartoons continued to feature till his next move to become the editor of the magazine, Stir Weekly . Well-known writer O.V. Vijayan succeeded him as The Hindu ’scartoonist, bringing literary allusions, most often from George Orwell’s 1984 and Animal Farm , as an additional element to cartooning. In the post-Emergency phase, E.P. Unny became the staff cartoonist. Keshav and Surendra have been with the newspaper from 1987 and 1996 respectively, taking forward the legacy of questioning with wit.
Taking offenceADVERTISEMENT
It requires a larger political and cultural milieu for cartoons to flourish in any society. It was not just Nehru but also some regional leaders who exhibited a fine understanding of the role of cartoons in a democratic society. C.N. Annadurai, founder of the Dravida Munnetra Kazhagam, wrote an excellent illustrated essay on the role of cartoons, titled “Cartoonayanam”. However, we do have people who take offence quickly. Laxman recollected the reaction of Morarji Desai to one of his cartoons: “I did a cartoon criticising his plans to ban horse-racing and crosswords. He felt outraged at my comment and called a full-dress Cabinet meeting to discuss how to eliminate the menace of the cartoonist.”
In 1987, P.H. Pandian, Speaker of the Tamil Nadu Legislative Assembly, sentenced S. Balasubramanian, Editor of Ananda Vikatan , to three months’ rigorous imprisonment for breach of privilege of the House, for publishing a cartoon. We need more Nehrus and Annadurais and fewer Desais and Pandians to enliven our morning readings.
readerseditor@thehindu.co.in