Still going strong at more than 80 shows in roughly ten years is Rangbaaz’s Bade Miyan Deewane , an Urdu farce helmed by actor and director Imraan Rasheed, which is based on a 1936 novel, Budbhas , by Pakistani writer Shaukat Thanvi, who was born in Uttar Pradesh, and eventually shifted to Lahore. Rasheed acquainted himself with Thanvi’s quick-witted pen during the making of an anthology of short plays titled Namak Mirch (a 2008 collaboration between Rangbaaz and Akvarious Productions), which included four of Thanvi’s stories.
“The milieu in which his tales unfold feels like home to me, whether it is the language or the customs,” elaborates Rasheed.
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Irrepressible cast
Because of its longevity, and the fact that actors keep impossibly busy diaries in Mumbai, the cast of
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Gender balance
Although Rasheed’s hyperventilating avatar is not without its tics, it’s a performance that hits the right comedic notes, which is why this is a play that arguably hasn’t succumbed to the temptation of going all-out over-the-top. Its mobile-free ethos sets it in an uncertain past, and although the topical wisecracks the actors incorporate in each show might seem anachronistic to such a setting, it is somehow strangely fitting. It features an old-fashioned romance — Tabish and Suraiyya parley across adjoining terraces, their love illuminated by the moon. Although it isn’t judgemental of Meer’s predilections, it also doesn’t sanctify his patriarchal entitlement. Gender considerations sit somewhat uneasily in this universe, as the women — Suraiyya and her mother, Meer’s bevy of courtesans — run the gamut from coquette to virago. For this reason, the proceedings feel a little dated at times, as do the artless sets. In their subsequent plays like Falsafa, Phir Se Shaadi and Baawla , Rangbaaz have delivered more memorable female characters. If we were to just look at their performances, the women of Bade Miyan Deewane, which has included the likes of Abir Abrar, Tahira Nath, Shivani Tanksale or Nishi Doshi, have always acquitted themselves well.
There are many memories associated with the play that are particularly dear to Rasheed. For instance, the non-speaking cameos played by visiting actors, that become inside jokes. “This is the role that has kept the fires burning for Rangbaaz; it is a play that is my retirement fund and I will never stop staging it,” the actor emphasises, only half-jokingly. An important contributor to the play’s appeal is its unostentatious music, which includes the stand-out ditty, Ishq Ishq Ishq, sung live on stage with minimal accompaniment. It’s a jaunty number that captures well the play’s romantic soul.
Bade Miyan Deewane will be staged on July 13, at St Andrew’s at 7.30 p.m.