Samsaram enbathu veenai (wife is a veena), santhosam enbathu ragam (happiness is the raga), salanangal athil illai (there are no discordant notes in it). Thus goes the song, flowing with the expectations of a husband from a hit film of the 70s, Mayangukiral Oru Maadhu . In that film, the heroine, forced by circumstances, does not marry her lover, but someone else. She is then the victim of blackmail, by a photographer who has captured her intimate moments with her lover, and now seeks money. The threat is that the pictures will be revealed to her husband.
In the end, though, a very magnanimous husband reveals that he had agreed to marry her despite knowing her past. Premarital sex is condoned here. Yet, you are not allowed to forget that her actions were wrong and unacceptable. In Tamil society, as elsewhere, sex outside marriage is publicly frowned upon, and films have often reinforced such values. “Even films with a radical story line and strong women characters are made from man’s point of view and they invariably seek to present him as a large-hearted provider, while the woman’s own feelings are given short shrift,” says film director Suka.
Tamil films draw clear boundaries when it comes to depicting women in relationships. Even films with an overtly sexual theme are no exception. The audience is left in no doubt that patriarchy and political correctness rule, and exploration is minimal.
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In one Rajnikant-starrer,
“We want a bond, especially marriage, to sanctify sexual relationship between men and women. Marriage is an important ritual. Even the most compatible minds in Sindhu Bhairavi , the singer and his fan, were not allowed to live together, even after the wife reconciled herself to that,” Ajayan Bala, another film director, says.
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In Pizza, living together results in the girl becoming pregnant. But the story veers away, erasing the relationship from the mind of the audience. Living together is common in a world where men and women are economically independent, but a long-term relationship warrants marriage. In Mayakkam Enna , a girl abandons her boyfriend for a new relationship that ends in marriage. Her subsequent life is one of suffering with a husband who becomes mentally unstable and frequently drunk, but she is firm not to allow a more sympathetic man to take advantage of her. She is a dedicated wife and her only mission in life is to rehabilitate her husband.