‘Tamim the Glorious’ enthrals Qatar

A portrait of the Emir, drawn by a young artist, turns into a national emblem

For the Majesty: Artist Ahmed Bin Majed Al-Maadheed next to his painting of the Qatari Emir titled ‘Glorious Tamim’.

As Qatar finds itself at the centre of a diplomatic storm, a young artist has shot to stardom with a sketch of the Emir — now the emblem of Qatari nationalism.

In the capital Doha, Qatari Emir Sheikh Tamim bin Hamad Al-Thani’s face is everywhere, thanks to a silhouette of the ruler’s profile and the slogan “Tamim al-majd” — Arabic for “Tamim the Glorious” — on bumpers, shop windows, concrete walls and mobile phone cases.

Created after sanctions

“I have no words to describe what I feel when I see my illustration everywhere,” says Ahmed al-Maadheed, who created his design hours after Saudi Arabia, the United Arab Emirates, Bahrain and Egypt cut ties with Qatar on June 5 for its alleged support for Islamist extremism and ties to Iran.

He posted a portrait of the Emir, sketched hastily in black and white immediately after Saudi Arabia and its allies announced the sanctions against Qatar, to his personal Twitter and Instagram accounts. The Emir’s profile, and the line “Tamim the Glorious” in intricate Arabic calligraphy, spread like wildfire in Qatar after a retweet by the Emir’s brother.

The design also resurfaced as a graffiti stencil, frequently painted in black and accompanied by the red-and-white Qatari flag.

The success of “Tamim the Glorious” propelled the then-unknown artist into the limelight overnight, and by the end of June he had exhibited his work at an annex of Qatar’s art museum and one of Doha’s top hotels. Nearly all the paintings sold that month. The emblem of the Emir has since been translated to English for the country’s expatriate community, which make up 80% of Qatar’s 2.5 million population, and stickers and banners in English are now visible across the Qatari capital.

Mr. Madheed, who runs a small advertising agency by day, said he had been offered $10 million for the original Arabic design by a private party, but opted instead to gift it to the Emir.