Writers’ day out at biennale

It was a day out for writers at the ongoing third edition of the Kochi-Muziris Biennale (KMB).

They were greatly impressed by the exhibits at the event. Writer Benyamin, author of celebrated novel Aadujeevitham , was particularly impressed by the poetry and text-based art brought to KMB 2016 by curator Sudarshan Shetty.

‘Breaking patterns’

The author said it was only natural that a littérateur would be more curious about literature-based installations coming into a space seemingly for visual art. “Breaking the conventional format of novel reading, the Biennale has painted Sergio Chejfec’s novel Baroni : Un Viaje on walls. We have to stretch our imagination as well as curiosity to go through the pages of the novel which are scattered in different parts of Fort Kochi and Mattancherry,” Benyamin, who has been to all the three KMB editions, was quoted as saying in a release issued here on Tuesday.

What has made KMB 2016 different, he added, “is the transformation of the written word into unique formats, making the 108-day-long fiesta a place of wonder that cannot be described, only experienced.”

“Even Raúl Zurita’s installation

Sea of Pain gave a unique experience. We cannot feel the art forms just with our eyes, but experience them with all our senses. The works are conversing with each other and with visitors, sending out silent, but strong messages on the political, environmental and even marginal aspects prevalent in today’s world,” he said.

‘Spirit of inclusivity’

K.R. Meera, author of award-winning novel Aarachar, was no less impressed. “KMB 2016 is a collage of drawings, colours, literature and technology. It is wonderful to see works of art sharing space at the Biennale, irrespective of their form or style. The spirit of inclusivity in Sudarshan Shetty’s curatorial vision needs to be commended,” she said.

She marked the art works of Chitrovanu Majumdar, Caroline Dutchalet and Remen Chopra for special mention.

Author Somasekharan said spaces such as the Biennale as well as literary and film festivals were providing a parallel platform for initiating a dialogue. “These spaces are becoming more secular with the healthy participation of the youth. The Biennale is a place for works of magic, wonder and madness,” he said.