“Through my movies, I aspire to move people; not convince them,” says Arturo Ripstein, jury head of the 18th International Film Festival of Kerala (IFFK), about using films to make political statements. His film
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Ripstein says he seeks inspiration from anywhere. And books are a main area of stimulus for him as they present a complete idea. It is impossible to make a movie verbatim out of a 250-page book, but one takes the ideas, the notions, the images, he says.
“Kill the writer, betray the writer,” insists Ripstein while talking about making movies out of literary works. “Sometimes when I read, images keep cropping up. I look for the truth, what is truer than the truth,” he says. But, in such cases, doesn’t he run the risk of attracting more wrath and negative feedback compared to movies made otherwise? After all, people tend to be fussy about the pictures they create in their mind’s canvass, and frown at anything at variance with their vision. “Books are not sacred. You run the risk of getting bad feedback even otherwise. Movies appeal differently to each individual. A person sitting on the third row may think my movie is the best he/she has ever seen while someone on the fifth row might be bored with it, it is all part of making a film,” Ripstein says.
“In
ADVERTISEMENT
ADVERTISEMENT
After watching a whole lot of movies, did he find any particular one being closer to the Latin American picture or the Third World? “There is no uniform Latin America. Yes, there is a common language, but each country speaks a different slang. I am from Mexico and I may be aware of the everyday reality there, but to see a cross-section of films made in different Latin American countries, I have to visit such film festivals.”