On a recent morning at the Hyatt Regency, there’s a sense of disconsolation as the bays of art are devoid of visitors. Art Chennai’s Art Assemblage dazzles like arrangements in the night sky of stars all together impacting a revelation. For festival convenor Sanjay Tulsyan and curator Girish Shahane, a lucid concern for conservation, heritage and environment spurred this year’s theme. Gallerie 88, Akar Prakar and Gallery Art and Soul showed work by established artists, many recalling our traditional past. The contemporary works of galleries unravelled a chain of connections linking the “distress of civilisation”. The images of art contain the present, the past and the future infused with the possibilities of what could happen and what we choose not to see.
Project 88, MumbaiPrajakta Potnis’
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In one from his series Missed Call by C. Douglas, a man is nonchalantly smoking a cigarette, his head bandaged closing off sound, while notes spin around like reminders that he refuses to see. He has “missed the call”. Douglas calls attention to our absolute imperviousness to every clue from the changing environment. R. Magesh’s quixotic “…and he flew saying screw you” references the extermination of pigs during an outbreak of swine flu. Trees are uprooted, a pig is flying and a house hangs from a flying balloon. Yet, the man sitting astride a scooter wearing a gas mask at the edge of a broken precipice hastens to save himself in the face of disaster. P. Krishna Rao’s Bombay in bold charcoal strokes of the harsh cityscape, ziggurats in ink on paper, is devoid of any trees.
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Darwin is sitting in front of a sphinx-like creature in Biju Parthan’s
This is an elegant collection that includes a much-admired People Tree by G.R. Iranna. A pink flowering tree is upside down. Yet, a number of people lines up under, benefiting from the shade of the tree. K.P. Reji’s Fishes Under The Broken Bridge is a diptych with manifold stories implying man’s callous treatment of Nature: children play without care, harassing a frog. A boy sits on the broken stump of a tree dropping a cockroach over a sleeping playmate. In the background is a broken bridge with a number of people on either side, fishing. Navjot Altaf’s digital montage archival prints of A Place In New York dazzle with layered narratives of this world city, where losing and finding is simultaneous.
Exhibit 320, New DelhiThe child in our adult selves vicariously longs for the popsicle-fairy tale universe of cartoon characters as in Princess Pea’s miniature worlds. Reman Chopra’s layered photo narratives magically interlace drawing and photography, recalling the capacity of memory to archive and preserve. The exquisitely fragile elaborate paper pop-ups by George Sebastian demonstrate the ephemerality of all physical things, superlatively riding over “what is”. Reality surfaces from the imaginary.
Art Assemblage underscored humanity’s ability to insulate itself from reality, disconnecting from our actions and to artificially preserve by refrigeration. Darwin’s metronome is ticking.