The style is eclectic, reflecting a fusion of varied range of themes, inclinations that tie in harmoniously to offer an arresting design. Thus, straight lines, arresting angles, and sharp colours blend without a fuss with rustic elements to serve a diverse style that not only stands out for its arresting features but also for its stunning aesthetic appeal.
Cadence Architects started by a young team of architects (Smaran Mallesh, Narendra Pirgal, and Vikram Rajashekar) sees each member bringing in different work practices and design ideologies, with this amply reflected in their design structure that refuses to conform to specificities. Their first project reflects this diverse approach where the three perceived their design to be almost chaotic though its distinctive appeal won accolades along with an award too.
Their first architectural project — Green Valley — is an earth roof villa development, the angles introduced blurring the distinction between ground and structure. It is teamed with an experiential landscape that gives the illusion of allowing itself to be peeled off the ground if need be. Along with its striking sensuous curves, the project permits the unlikely existence of glitter alongside a raw finish that brings forth local sensitivities.
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Their project Raju Residence displays an indefinite shape, the elevation incorporating an amalgamation of angles, curves, and straight lines, the flowing wild lines a showcase of total geometry. The interiors are likewise designed, the colourful children’s room having a bed shaped as an open egg.
Similarly, their resort project Java Rain, built on the foothills of Mullayanagiri range, offers yet another unique representation, with the grains and design of the façade emulating tongues of fire that appear to leap up to the giant canopy floating over it. The cottages are equally striking, with the interiors covered with sheer mglass walls to blend in the outdoors seamlessly.
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Says Architect Smaran, “Architecture essentially brings in coherence between contrasting parts when depicted as a whole, together offering a strong aesthetic sensibility.” He further adds, “The elevation of a building makes a strong statement, establishing an identity both for itself and its users.”
According to him a well-articulated elevation will have a dialogue with the interiors with each aspect of the structure enhancing the feel of the other.
For childrenTheir penchant for bringing in the unusual yet keeping it functional and contextual is amply borne out in the handling of the spaces of their project Planet Kids. The structure built to address the needs of young children, reflects a design from a child’s perspective. The elevation sets the tone for what lies within, the skin of the building being made of glass windows that are shaped like alphabets. Instead of cartoons, the interiors use colours, shapes and forms that relate to a child.
Little peepholes feature at the child’s level on walls and doors while the library walls appear as coloured candy. Tiny secluded spots with lower roofs, attractive curves and bright colours invite the children into their little private zones.
The rooms too do not conform to the normal rectilinear shapes, the same way as the staircase railings emulate the grills of a zoo, lending novelty while addressing safety.