Well-known musicians of the city and old-timers who were All-India Radio listeners, made their way to hear the melody queen of yesteryear, T.T. Sita, even if it was not a full length katcheri. The octogenarian proved beyond a point that age does not dent one’s musical prowess, especially when you have nearly five decades of continuous concert experience behind you. Nicknamed in her heyday by music lovers and critics as the ‘MS of Andhra’, Sita lived up to the expectations of the new generation of musicians and her old fans with her inimitable alapana in Khambhoji for which she had once upon a time drawn crowds. The icing on the cake was the presence of friend and ‘guru putri’ Chittoor Revathy Ratnaswamy also sharing the dais. These two thespians — childhood friends and pupils of Guru Chittoor Subramanyam Pillai — lent support to each other with childlike enthusiasm that it was pleasure to see them so wrapt in their own music.
Sita took up a light alapana of Veghavahini and launched into Dikshitar’s Gajananayutham Ganeshwaram… in her inimitable sweetness. The mitram where Revathy Ratnaswamy chipped in brought the invocatory kriti to a rhythmic closure. The Thyagaraja kriti Paraloka bhayamu leka bhava pasha baddhu layyaru… began in Mandaari (janya raga of 50th Melakarta Namanaarayani) with its gamaka-laden sangathis. One could not but notice the perfect balance and blend that yesteryear musicians like Sita, a la MS Subbulakhmi had of a touch of technicalities with a lot more of bhava (emotive element) whether it be the swara or sahitya. It is this beautiful aspect that differentiates them from the present day vocalists or those astute older generation musicians who lay great stress on classicality at the cost of emotionality which for most is considered as denting the grammar of Carnatic music! Never did we hear a Mandaari being presented with such delicacy and grace.
Revathy Ratnaswamy with her pupils to support her, took over and treated us to an hour-long katcheri with choicest kritis like
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She gave us a song in every language beginning with the lilting Tamil lyric,