To cite a Bergman metaphor, life is locked in a ruthless game of chess with death. The interplay between zest for life and the stark certainty that closes the lid on it has always fascinated filmmakers. Frog , a short fiction film of 20 minutes duration, essays this closely-fought battle, training the camera on the plight of man teetering between a strong urge to die and an even greater desire to claw his way back to dear life.
Through its razor-sharp portrayal, the film probes what prompts humans on the verge of taking their own lives to suddenly muster a frenzied resolve to dominate and live.
“Man is the only creature known to commit suicide. But death fascinates him in a way as no other experience of life has,” says the film’s scriptwriter and director Sanal Kumar Sasidharan, who was Viji Thampi’s assistant.
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Presented by Kazhcha Film Forum, a collective formed by a group of film-loving youngsters in 2001,
Suspense, key to any road movie, is integral to Frog ’s narrative. Death and the sexual politics of power lurk about its frames from the time the film opens with an M-80 scooter, laden with a batch of poultry, heads for the local market. A radio fitted on the blood-stained motorbike blares old film songs. The scooterist, almost an agent of tantalising and mysterious death, is waved down by a nervous boy to hitch a ride uphill. His bike had broken down. The ride along the road with sharp bends, hairpin curves and surrounding wilderness is unnerving and subtly eventful. Ironically though, things take a violent turn as the road straightens out.
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Krishnan Balakrishnan and Ratul Sree play the film’s protagonists. Reji Prasad has cranked the camera. Editing is by Jayesh. Frog is based on a story jointly written by Sanal and Harikishore Surendran.