In 1969, veteran singer, stage and film personality K.B. Sundarambal (KBS) received the Tamil Nadu State Film Award for best singer for her role in the movie Thunaivan . Shortly thereafter came the announcement of the government conferring on her the Padma Shri. In this context, the Tamil magazine Bommai published an interview with her in January 1970, in which KBS speaks of her life as a theatre artiste, her relationship with S.G. Kittappa, and her film career.
The interviewer highlights the fact that KBS picked her roles in movies very carefully and that this led to long gaps in her acting career. There was in particular a hiatus of 13 years between the release of Manimekalai (1940) and Gemini’s Avvaiyyar (1953). The questioner asks KBS if there were truly no offers in between. There was one she says, from a Subbiah Chettiar. He was keen on making Valli Tirumanam , with KBS to be cast as Murugan. It was, however, the choice for Valli that made me sit up – M.S. Subbulakshmi! KBS then goes on to state that she and the producer could not agree on the remuneration and so the production was shelved.
Reading the interview led to several thoughts. What is interesting is that no biographer of M.S. ever mentions this. We do know of the four productions that spanned her film career –
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Valli Tirumanam is the story of the courting of Valli by Lord Murugan and their subsequent wedding. It was one of the most popular subjects of Tamil theatre. It was also first made into a film in 1933. In his detailed biography of KBS, Pa. Chozhanadan (
Given that this was an era when actors were expected to make their stage entrance singing one of their popular hits, irrespective of whether it had anything to do with the play, Kittappa made his entry as Murugan in Colombo singing Tyagaraja’s ‘Mokshamu Galada’. KBS held her own and the play was a great success. When at the end of his contract Kittappa returned to India, his brother suggested to Sundarambal’s manager that the success of the two as a pair be encouraged. And so they continued to act together in India.
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KBS as Nandanar
Playing the role of a male was not something unusual for KBS. She speaks of how, if engaged to perform in the same town over a long stretch, she and Kittappa would exchange roles. If she played Valli and he Murugan in the first staging, she would be Murugan and he Valli in the next. And so, the same audiences would return to see how different the play was. There would be arguments over who was better in each role. In 1935, a few years after Kittappa’s death, KBS made her film debut playing a male role – as Nandanar.
How would M.S. have fared as Valli? Of course, her music would have seen her through. In all likelihood, given her early years in Madurai, which was the heartland of Tamil theatre, she would have been familiar with the play as well. In fact, the singer’s theatre connections merit some research. The diaries of the songwriter Madhurakavi Bhaskaradas ( Madhurakavi Bhaskaradasin Natkurippugal , 1917-1951, compiled by Cha Murgabhoopathi, Bharathi Puthagalayam, Chennai 2009) reveal a lot of interaction between him, MS, and her mother Madurai Shanmukhavadivu. He was the mainstay for songs in Tamil theatre and associated with some films as well. He writes that he composed songs for M.S. at her mother’s request when she was in Madurai and after she moved to Madras as well.
Today, we can only speculate on what a treat a film starring KBS and MS would have been.
The writer is a historian and music critic.