T o say that Sudha Ragunathan’s voice had spark is not news. But what brightened the mood at her concert this week was the sensitivity and emotion she lent to the two main pieces in Suddha Saveri and Kiravaniat her concert for the Music Academy.
The first two songs followed the script. A brisk ‘Sami ninne’ (Thodi varnam) and ‘Sudha madhurya bhashana’ (Tyagaraja, Sindhuramakriya) provided the verve and tempo that her concerts are known for. The twist in the lyric of the first line in the second song was not lost on the sharp listeners.
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The natural laya and swaras at ‘Sudha’ offers interesting kalpanaswara manipulations and Sudha, along with Charumathi Raghuraman (violin), came up with a volley of creative patterns reminiscent of Madurai Mani Iyer.
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Dwelt at leisure
Charumathi ’s Kiravani had plenty of sowkhyam. ‘Chandrasekaram ashraye’ in kanta triputa composed on Kanchi Mahaperiyava by scholar Dr. V. Raghavan has depth in raga and lyrical expressions, allowing Sudha to dwell at leisure in the kriti and the niraval at ‘Kara abhayamudram’. These moments in the concert were quite sublime. And in the last piece, Dr. Balamuralikrishna’s thillana in Brindavani, Sudha poured energy.
Charumathi added melodic value to the concert, while Patri Satish Kumar capped his brisk contribution with a good tani avartanam, with Raman on the morsing. Raman also got some opportunities to show his skills. Sudha Ragunathan’s tenure at the top of the rasika charts extends further, thanks to her presentation style and on-stage abilities.