A student secretly crushing on a teacher in an intrinsic part of school and college life. But I doubt if we’ve seen it in detail on the big screen. Raatchasi ’s ‘love’ track is one between a class II student named Kathir and the headmistress protagonist Geetha Rani (Jyotika). There’s this scene in which he shyly walks up to her and slips in a piece of paper. She looks at it. It’s a drawing of her face. She grins and looks for Kathir, who has already quietly taken refuge behind a wall and is grinning himself. It’s supposed to be a ‘romance’, one that brings a smile to your face. In a different film, it might have stood out as 'cute', but in a message-heavy, dialogue-heavy film like Raatchasi , it’s among the minor consolations, unfortunately.
- Cast: Jyotika, Hareesh Peradi, Poornima Bhagyaraj
- Storyline: A headmistress takes on the onus of setting right a non-functional government school
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The first half is too bland and without craft – when a song arrives, you know that a reform/change is around the corner. When Geetha Rani arrives, she's always accompanied by a lecture - with so many statistics thrown in that you wonder if
Director Gowthamraj sort of redeems himself in the second half, by taking on the masala route. He tackles issues that have already been discussed in Pallikoodam and Sattai – something that the makers themselves have acknowledged publicly – but repeating it is not the problem here. The issue is the confusion… in the inability to position itself as a message film on education reform or a masala film. (Jyotika even gets a fight sequence in which she bashes a few goons!) All this makes it come across as a Vijayakanth film… one that has a lot of lecturing and do-gooder tales.
There’s a film in
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