The opening moments of OKKM set the tone for everything that follows: an entire village is planning to visit a Muniyaandi temple. This might sound like an insignificant Sunday evening outing for us city folks, but for these villagers tucked away in dusty Virudhunagar, it is a celebration. And one that needs a lot of preparation.
And so we have the newly-married Ramamoorthy (Vidharth) and his family members in a heated discussion with the lorry owner over the renting of a vehicle. In the midst of this he tries to steal a moment with his wife (Seetha, played by Raveena), which is offset by a bunch of fun-loving villagers getting ready for the big day.
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- Director : Suresh Sangaiah
- Cast : Vidharth, Raveena, George, Hello Kandasamy, Aarumugam
- Storyline : An entire village heads to a temple to offer a goat as sacrifice, but uneventful happenings play spoilsport
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It’s not just us, the audience, who’re watching all this with mild amusement but also the sacrificial goat that will be offered to God (Muniyaandi) in a few days.
It remains a spectator throughout as the main plot unveils – the lorry runs someone over and a false story has to be created – but the goat’s relevance remains till the end.
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The casting is perfect, and I’m not talking just about the lead pair - Vidharth and Raveena – who play their parts well. The bunch of villagers who accompany them on the journey are a wonderful lot; their camaraderie and verbal jousts liven things up. Not only is their Tamil earthy and so exciting, but their names too are – there’s someone called Kondi and another called Sevval. The pick of the lot was one named Yezhara (seven and a half). It’s this bunch of simple, innocent people that make OKKM utterly charming.