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Cannes deploys flower power to boost fest security

Updated - May 23, 2017 11:50 am IST

Published - May 16, 2017 09:08 pm IST - CANNES

Authorities instal a row of 400 giant flowerpots as barrier

Under lens: Police said about 550 security cameras have been set up.

Cannes’ promenade was pretty enough before authorities installed a row of 400 giant flowerpots. But the potted plants aren’t there to look good — they are a security measure to avert terrorist attacks during the film festival.

The Cannes festival, which begins on Wednesday, is the first since the attack in nearby Nice last July, when a Tunisian man drove a 19-tonne truck into a crowd celebrating Bastille Day on the promenade, killing at least 80 people.

The shoulder-high flower pots along the Cannes Croisette are supposed to acting as discreet concrete barriers that should stop any similar car or truck attack.

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The police have also invested in 160 metres of spiked chains that can stop a truck, deployed extra forces and called on a battalion of civilians volunteers to inform them of any suspect activity.

Some 550 security cameras are keeping an eye on things, too, said Yves Daros, head of the municipal police.

“It’s the densest [camera] network in France. In Cannes, we have a camera for every 140 inhabitants,” Mr. Daros said.

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State of emergency

France has been under a state of emergency since November 2015 when coordinated gun and bomb attacks in Paris killed 130 people and wounded 368. Just last month, a policeman was shot dead in central Paris, the most recent in a string of attacks claimed by Islamist militants.

The U.S. State Department has a long-standing travel alert for France and some other European countries, warning Americans to be on their guard around potential targets such as “high-profile events.”

No specific threat

The French police have no information about a specific threat, but few events in France have a higher profile than the annual film festival. This year, Will Smith and Nicole Kidman will be among the Hollywood A-listers.

U.S. film critic Scott Roxborough said people were aware of the security risk, but not afraid to come.

“The talent might be a bit more worried about having to come to a festival and might not be 100% secure, but given the fact that with the studios it’s about money and about business, I think that overweighs things.”

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