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Two poems

Published - December 31, 2011 06:04 pm IST

Trousers

In middle age the rote ballet that gets

you dressed is habit

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and performance:

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stoop, stork, point foot, thread trouser leg and rise

till upright, leg extended, off the floor,

face dark in bathroom glass from bending.

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Half-sheathed in virile jeans, you now change feet,

repeat (with poise) and you’re Nureyev.

Old fathers wear their trousers sitting down.

They splay their knees, insert their feet and pull

their waistbands up, one rolled and lifted buttock

at a time. Rushed boys hurtle into shorts

and trousered women waste no private time

on balance: grace is a public virtue,

publicly performed for staring people.

Between quick boys and careful fathers, men

court equilibrium. When the level ground

of middle life starts to give, each costume

change becomes high-wire virtuosity,

and the point of standing through the business

ever more obscure. Then, gripped by second-hand

déjà vu , we sit, and settle into age.

Nostalgia, 1970

Remember Kati Patang ?

The Phenomenon's crinkled smile

and A.P.'s planetary bum?

His inch-high parting, her bouffant,

her frosted lips, his batted eyes

her pigeon lilt, his killer tilt...

By Odeon! how time just flies!

The piano scene? Remember that?

She played the fatal flame and he

the moth! Parwanas can't be fat,

but we, we didn't want him thin

because we wanted more of him:

that sloping grin, cleft double-chin...

see, this was Then; men didn't gym.

You do remember? Hold that thought,

but skip the Pancham Nite on Ten,

this circa's Hindi films must not,

on pain of death, be seen again.

Good movies bravely see off Time,

some others find new life as kitsch:

not those where Kaka played the lead

and Bindu played the bitch.

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