CINEMA PLUS

Gumasthavin Penn 1941

Mammoth success Gumasthavin Penn

Mammoth success Gumasthavin Penn  



T. K . Shanmugham, T. K . Bhagavathi, M.V. Rajamma, K. R. Ramasami, M. S. Draupadhi, ‘Friend’ Ramasami, P. G. Venkatesan, K. N. Kulathu Mani and A. R. Sakunthala

Gumasthavin Penn, a memorable Tamil movie, turned out to be the biggest grosser of 1941 — it competed with 29 other movies produced that year in that language.

The famous novel ‘Annapoornika Mandir’, by Bengali writer Nirupama Devi, was translated into many Indian languages as well as into English. Shanmugam, the most famous of the TKS Brothers, saw the Malayalam stage adaptation of the novel, and staged it as “Gumasthavin Magal” in Tamil. His brother T. K. Muthusami wrote the play. C. N. Annadurai wrote a glowing review of it in Kudiyarasu.



Buoyed by its success, the TKS Brothers produced it as a movie, in association with Murthi Films, bankrolled by S. S. Vasan under his Gemini Pictures Circuit banner.



Interestingly, Vasan who watched the play told Shanmugham that the artiste who played the heroine could reprise the role in the movie. He was stunned when the ‘actress’ turned out to be a man. That was the later day famed Tamil filmmaker and star A. P. Nagarajan!

The film narrates a tale of two sisters, Seetha (Rajamma) and Sarasa (Draupadhi). Their father Ramaswami (Subbaiah Pillai) who works as a clerk under a rich philanderer Mani (Bhagavathi) is unable to get them married. Ramu (Shanmugham), another rich man in the village, is an idealist with reformist ideas. He is against marriage as it would interfere with his ideals. Ramu’s mother wants to get him married to Seetha. But Ramu refuses, and the desperate father gets her married to a doddering old man (‘Friend’ Ramasami). The poor woman becomes a widow even before the wedding ceremony is over. Mani tries to molest her one day, but Ramu saves her. Unable to bear the agony, Seetha commits suicide. Ramu feels he is responsible for her tragic end, and comes forward to arrange Sarasa’s marriage. When the bridegroom and his family walk out over an argument over dowry, Ramu steps in and marries Sarasa.



The comedy track proved to be the highlight of the film which was indeed a revengeful spoof attacking the noted director of the day, P. V. Rao. Lacking discipline of any kind, Rao made a mess of TKS’s earlier film Balamani and to get even they created a director in this film calling him ‘V. P. Var’ (reversing his name!) This role played by KRR was hilarious, proving the talented star’s flair for comedy too.

The movie was a mammoth success, and led to youngsters raising their voices wherever girls were being married to old men as second or third wives. Annadurai even wrote a sequel titled ‘Seetha Vidhavaiyaanappin’ in which Seetha marries again and shoots her husband when he proves to be a womaniser.

The film was directed by B. N. Rao and K. V. Srinivasan (credited as KVS Vas). (Srinivasan, a cousin of noted filmmaker K. J. Mahadevan, made some films and wrote some. However, today he is totally forgotten.) The assistant director was ‘S. Panjabi’ who later rose to be one of the top filmmakers of Indian Cinema — Panju of Krishnan-Panju fame. The music was composed by Narayanan and Padmanabhan Party.

One song by P. G. Venkatesan (known as the ‘Saigal of south India’) as a beggar, “Paarai maanida… mooda… paarai” became a hit.

Some years ago, when the South Indian Film Chamber of Commerce produced a souvenir in which South Indian movies were indexed, this movie appeared under ‘C’ as “Clerk’s Daughter” and there was no entry under ‘G’ as Gumasthavin Penn!



Remembered for: its interesting storyline, impressive performances by Rajamma, Shanmugham and KRR.

RANDOR GUY

Recommended for you