Notes from Nottingham

November 25, 2017 04:06 pm | Updated 04:06 pm IST

Of late, I have begun to measure the size of a city by how many hours it takes me to walk around its see-worthy parts and get some sense of scale and a rudimentary understanding of its landscape. The flâneuse in me understands the flaws of this system, but for someone who finds it impossible to measure in terms of metres, feet or the other units, this feels more manageable. By this measure, twee York was three hours, certain parts of London, 15 days and Nottingham, or Notts, a day and a half.

The city nests within Nottinghamshire in the East Midlands. If the name sounds vaguely familiar, like it did for me before the ball dropped, it’s because this is where the legend of Robin Hood and his band of men originated. His name and many legends have been predictably appropriated by the tourism industry. Robin was an outlaw, a very talented archer and swordsman who is supposed to have lived in Sherwood Forest in the Late Middle Ages. He remains one of England’s most beloved folk heroes for ‘robbing the rich to give to the poor’ and taking on the Sheriff of Nottingham with his band of Merry Men.

High street and indie

A statue of Robin Hood about to release an arrow from a well-shaped bow draws several visitors who want to emulate this pose beside him. That this statue is just below Nottingham Castle, down Maid Marian Way, is another draw. A Robin Hood walk takes you across town, through various landmarks associated with the legend. As with all folklore, the details of his life story have of course varied a great deal over the centuries.

Nottingham was incredibly noise-less, almost as if there was a mute button that had been turned on somewhere. The newly ordained Unesco City of Literature eats, socialises and shops in the Old Market Square. The famous Lace Market of yore is now office spaces, schools of art and other functions of living. The narrow lanes that fork out from the centre are all crammed with gorgeous Tudor-style buildings, old heritage structures and delightful independent cafés and bookshops. The high street brands are of course all over.

Among the latter is the fabulous Five Leaves Bookshop that was set up as a publishing house 21 years ago and became known for its focus on radical and political literature. It continues to publish pamphlets along the same vein called ‘Occasional Papers’, but also stocks popular titles and independent publications across genres. The most fascinating thing about Five Leaves for me was that there was an entire large shelf for books on anarchism. What’s not to love about a bookshop that makes no bones about its leanings?

In hipster company

Alex Smith’s Ideas on Paper, which specialises in magazines, operates from within Cobden Chambers. A former derelict yard was renovated and is now home to several hipster, independent shops. I had time only to pop in to pick up something I knew he was one of the few stockists in the U.K. for. Those 10 minutes led to a hurried chat about love for the printed word, business, and a generous gift of a copy of Monocle.

Notts is big with the art scene. Nottingham Contemporary was constructed on a site where there used to be, over time, a Saxon fort, a medieval town hall, even a railway line. There was some skirmish among the townspeople regarding the choice of the site, Jennie Syson, who runs the Syson Gallery, an independent art gallery, told me. She then went on to give me a crash course in the people’s history of Nottingham.

The city is home to several artists, notably John Newling whose library lounge is one room I continue to dream of, months later, as too of the bent-with-fruit apple trees in his backyard. #homegoals. The New Art Exchange, with a focus on South Asian and U.K. art exchange, was also where I serendipitously found myself being part of a panel on colonialism and 70 years of Indian independence. Uncomfortable and hot topics on the island these days.

That glorious of all seasons when the leaves turn to jewels and fall to the ground, as if in love, was just turning the corner when I left Notts. The poet’s weather, they call it. Whole roads in tones of yellow, russet, olive, peach and others.

The writer, when not flanuese-ing someplace and writing about it, can be found at the mercy of her brood of rescued mutts.

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