Movie review of Khamoshiyan: A quiet date

January 30, 2015 07:32 pm | Updated 08:19 pm IST

Ali Faqzal and Sapna Pabbi in a still from the film

Ali Faqzal and Sapna Pabbi in a still from the film

Melancholy resulting from infidelity has been the bottomline of Bhatt productions and here again you can feel the influence of Mahesh and Vikram Bhatt on the gloomy tale of relationship between a heart-broken writer (Ali Fazal) searching for a new tale in the Kashmir valley and a young married girl (newcomer Sapna Pabbi) eager to become his next story. Her husband is reduced to a vegetative state giving an opportunity for the Bhatts to cast their spell. It reminds of B.R Chopra’s Dhund which in itself was inspired by Agatha Christie’s play The Unexpected Guest .

You can sense the finger print of Vikram, who has written the script, as the film traverses from the realm of romance to horror. At the core it is yet another version of Raaz with young Karan Darra giving it a contemporary feel and look. He throws hints from “Fifty Shades of Grey” to draw new boundaries of passion on screen and even makes the ‘shamshan’ look trendy.

Movie: Khamoshiyan Genre: Supernatural/ Erotic thriller Cast: Ali Fazal, Sapna Pabbi, Gurmeet Chuadhary Director: Karan Darra Bottomline:</> Nothing for posterity but not bad as a date movie.

There is no bearded baba for the hocus pocus and with a couple of melodies from Ankit and Ankur and Jeet Ganguly providing the lilt, the trio manages to create an atmosphere where one wants to know what is ticking behind that noisy silence of Sapna.

However, when Karan goes out to unravel the mystery, he loses track and the past doesn’t hold any explosive details. Also, the back stories don’t add up organically to present a cogent picture. In the process intrinsic logic goes out of the window very much like the butterflies that are supposed to carry the spirit in Vikram’s story. And when Kashmir shifts to South Africa and even Mumbai, portions look fake, you realise that you are being taken for a ride. At the end he tries to make convoluted what is essentially simplistic by dropping mythical references and sketchy special effects.

Ali Fazal emerges from the sidelines and makes an impact as a writer looking for his next big story. A natural performer with effective screen presence, he keeps you in the hunt when TV star Gurmeet Chuadhary makes a confident debut and Sapna Pabbi looks suitably pained and more importantly doesn’t drop grace when Karan presses the erotic button.

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