From Chennai to China

Fashion designer Vino Supraja talks about switching careers and finding inspiration from architecture.

June 17, 2015 07:24 pm | Updated June 23, 2015 12:18 pm IST

Chennai / Tamilnadu, 10.06.2015, For Metro Plus:- Vino Supraja, Fashion designer during the Metro Plus interview in Chennai. Photo. M. Moorthy

Chennai / Tamilnadu, 10.06.2015, For Metro Plus:- Vino Supraja, Fashion designer during the Metro Plus interview in Chennai. Photo. M. Moorthy

What does a person with a media career do when she lands in China without knowing the language? In Vino Supraja’s case, she decided to go back to school. “I moved there with my husband on his job posting, but I didn’t want to sit idly. I couldn’t continue with my previous career, and most of the courses were in Chinese. I had very few options in English, and had to choose between MBA and fashion designing. I decided to go with the latter,” says the chirpy former RJ and TV host from Vandavasi, who studied architecture at Anna University before pursuing her passion for media.

On her first day at the Shanghai campus of International Fashion Academy (IFA) Paris, she was surrounded by youngsters fresh out of school. “But I didn’t feel out of place; they were all very friendly. I think I knew within a few hours that I had made the right choice,” says Vino, seated in the lobby of ITC Grand Chola on a short visit to the city last week. “We had French couture professionals teaching us everything from the basics of pattern making and sewing to marketing. It was a 360-degree training, and looking back, I can’t believe how much I improved over the three-year course.”

And improve she did, enough to win her the Golden Laureate Award of her batch, for her graduate collection called Patang (inspired by the kite festivals of India), which was showcased at the Shanghai Fashion Week in October 2014. In the same year, she was a finalist in the China International Fashion Designers Creation Contest. Her work also found a favourable mention in the Chinese edition of Vogue magazine.  

When her husband was transferred to Detroit on a two-year assignment, Vino followed with their son, and there, continues to pursue her new career. She runs her studio out of home, where she does all the work herself, from conferring with clients and sourcing material to cutting and sewing. “So you can praise me if it’s good and blame me if it’s bad. I don’t have anything to hide behind! Textile designing is a passion of mine, and I do it myself; I love the freedom of playing with colours,” says the 35-year-old.

“Very early on, I realised that fashion designing was no different than architecture — we either dress buildings or human bodies. The understanding of the structure is what’s important,” she explains, when asked how she found it so easy to adapt to fashion designing. Her latest collection, W, which was featured at the WALK Runway Fashion Show in Detroit a couple of weeks ago, pays homage to celebrated architect Frank Lloyd Wright and his signature windows. Her designs are structured and have a lot of movement. As for the colour pallette, Patang featured bright splashes of pinks, reds and yellows, whereas the WALK collection plays with browns, blues and beiges.

Vino prefers designing long dresses, jackets and evening gowns, and is getting used to sporting her eponymous label. In the long term, she plans to move back to Chennai and get into costume designing for films and television. “I want to travel a lot and learn, and later in my career, I would love to mentor young designers. That’s my goal,” she says.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.