For the past several weeks, I have been travelling across the State exploring piano talent. In the deep South, closer to Tirunelveli, I was impressed by the musical skills of the children who participated, given the weaker economic background they come from. Aspirations are ubiquitous and run rife regardless of the economic condition. I was delighted to be a part of a larger dream for children, who can have a bright future if other mechanisms can also be put in place to support them.
Which brings me to the question of how the atmosphere for children’s competitions is in the current climate. For instance, at one centre a parent asked me if I would be able to conquer my “Hindu” bias given how the participants that day were mainly from the Christian community. I was shocked, and also offended . But, thanks to our politicians, who have infused such thinking.
Not just this, we had to comply with POCSO (Protection of Children from Sexual Offences) Act guidelines, which meant ensuring that a senior school official or a woman representing an institution be officially present during auditions, the door be kept open and parents be within calling distance. I would have normally corrected posture and the position of the wrist of these children, but preferred to demonstrate instead.
This led me to think about the plethora of reality shows for children that dominate our television screens today. Are these POCSO compliant? Do the adults working with children (judges, trainers, crew) follow child safety norms? Do these shows or channels that telecast them have an internal complaints committee or redressal cell in case of issues?
I am reminded of Papon, whose kissing a minor girl on the lips created a furore on the social media. It was sad that the child and her parents were forced to say that they were not offended and that it was genuine affection. Such is the aspirational pressure. Such is also the fear of ostracism and adverse consequences of questioning those in power.
We are part of a deceitful system which derives satisfaction out of watching children behave as adults in the context of televised entertainment. The least we can ensure, and protect, is their dignity.
There is abundant talent. My heart is with children all the time. We are truly in the midst of a talent revolution. I want these children to succeed. I want these shows to do well. But on children’s terms. Not on ours.
The writer is a well-known pianist and music educator
