‘Jaya Jaya Jaya Jaya Hey’ movie review: Darshana Rajendran’s movie is over-the-top for the right reasons

Vipin Das’ film delivers a fun-filled experience while also conveying the right message, making it quite different from others that have come out on the subject

October 28, 2022 08:38 pm | Updated November 11, 2022 04:09 pm IST

A still from ‘Jaya Jaya Jaya Jaya Hey’

A still from ‘Jaya Jaya Jaya Jaya Hey’ | Photo Credit: Scooper Dooper Films

Until a few years back, the slap was the most common weapon of choice for good-natured men in Malayalam cinema to put women who cross the 'limits' in their place. Most often, movies used to portray the men who slap women as doing the right thing. Times have changed, and the slaps have almost disappeared from our cinema.

In Vipin Das’s Jaya Jaya Jaya Jaya Hey, the slaps make an emphatic return, a total of twenty-one of them within six months, as Jayabharati (Darshana Rajendran) tells her husband Rajesh’s (Basil Joseph) relative. The only difference is that the one who slaps pays a price, and does not get treated like a hero.

Jaya Jaya Jaya Jaya Hey
Director: Vipin Das
Cast: Darshana Rajendran, Basil Joseph, Aju Varghese

But, all this might make it sound like a rather grim, realistic film on domestic violence and patriarchy. Jaya Jaya..., which is filled with some rip-roaring humour, is anything but that. The makers, in a clever attempt, make it a fun-filled experience while also conveying the message of the story, making it quite different from other films that have come out on the subject.

No right to choose

Jaya's travails do not start at her husband's home, rather, her life is a long continuum of being constantly denied her right to choose, with every decision taken by the men in the household. Even her choice of degree course is denied to her through the intervention of a "well-meaning" uncle. These will perhaps be the most relatable parts of the film to many, considering the number of well-meaning relatives that are around, ready to dish out advice for "your own good".

Rajesh, her poultry-businessman husband, does not come with this veneer of friendliness. In his house, named 'Raj Bhavan', only his writ runs, with even his mother and sister resigned to cooking and eating his only favourite food — idiyappams — daily. Jaya gets an inkling of the violence that awaits her the minute she steps into this home, with the broken chairs and the glass table. Added to the complete loss of freedom, even to pursue her studies, the violence takes her almost to breaking point.

Drastic shift

The movie takes a drastic shift in tone when Jaya decides to take things into her hand. From then on, it is a constant shift between over-the-top humour and a realistic portrayal of a violent marriage. Some of the bits, including Jaya's fight back, might seem exaggerated. However, the makers are clearly not presenting this as a solution to domestic violence, but as a cathartic exercise for the many who are forced to silently endure violence in their daily lives and as a means to prick at those who see such violence as their right. It only slacks a bit in places, especially during a fight with a running commentary.

Basil Joseph makes that easy shift from his usual likeable character to someone who evokes only revulsion, while Darshana yet again delivers a controlled performance in a character that could have easily gone out of hand, given the stuff that she is required to do. Not to forget, the entire cast of supporting characters gets the job done well. Jaya Jaya Jaya Jaya Hey uses effectively an over-the-top style to say all the things that it wants to say, and it does where it is intended to.

Jaya Jaya Jaya Jaya Hey is currently running in theatres

Top News Today

Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in


Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.