Modern mystery in jazz: How 'Knives Out' turned the audience into a community of ‘crowd’ detectives

Ritwik Kaikini

From Wuhan, without virus: Diao Yi’nan's 'The Wild Goose Lake'

Naman Ramachandran
Going global Still from Spanish-language series La Casa De Papel , (left) Srishti Arya

Netflix India’s Srishti Arya on the non-English content the country loves to watch

Divya Kala Bhavani
A still from ‘Paapam Cheyyathavar Kalleriyatte’

‘Paapam Cheyyathavar Kalleriyatte’ review: An engaging satire let down by an imperfect script

Navamy Sudhish
‘Mafia’: Given Karthick Naren’s fascination for Nolan’s movies, you could find a heady flavour of ‘The Dark Knight’ lying underneath

‘Mafia: Chapter 1’ movie review: A wonderfully ordinary movie with a great presentation

Srivatsan S
A still from ‘Bhoot Part One’

‘Bhoot Part One: The Haunted Ship’ review: That sinking feeling

Namrata Joshi

‘Trance’ movie review: A half-baked attempt, despite a sensational Fahadh Faasil

S.R. Praveen
Rashmika and Nithiin in a scene from the film

‘Bheeshma’ movie review: A reasonably fun outing from Nithiin and Rashmika Mandanna

Sangeetha Devi Dundoo
‘Brahms: The Boy II’: Short on gore, but also short on genuine thrills

‘Brahms: The Boy II’ movie review: The dolls must be crazy

Mini Anthikad Chhibber


From the trailer of ‘Guilty’

‘Guilty’ trailer: Kiara Advani’s Netflix Original explores themes of sexual consent and victim-blaming

The Hindu Net Desk
From the trailer of ‘Angrezi Medium’

‘Angrezi Medium’ trailer: Irrfan Khan’s father-daughter saga is all kinds of heart-warming

The Hindu Net Desk



'Friends' cast to reunite for HBO Max special

Amyra Dastur

Amyra Dastur joins cast of web series ‘Dongri to Dubai’, that traces life of Dawood Ibrahim


Feeding the addiction: on Narcos: Mexico’s new season

Aniruddha Guha