There will be no selfies on the red carpet at the Cannes Film Festival this year, but, rest assured, there will be every other type of image-making at the French Riviera extravaganza.
Photographers will form flashing gauntlets through which many of the top stars and filmmakers in movies will stream on their way to premiering hotly anticipated films on screens that are less theaters than movie cathedrals.
Nowhere are films and filmmakers taken more seriously or superficially than at Cannes, the Cote d’Azur capital of cinema, which kicks off its 68th annual edition Wednesday.
“It’s a circus,” says Todd Haynes, ( Mildred Pierce , I’m Not There ), who will premiere his 1950s lesbian melodrama Carol , starring Cate Blanchett and Rooney Mara. “It’s a mad beast like nothing else. Nothing compares to Cannes, in my experience. It’s an extremely important place.”
At this year’s festival, Haynes is one of two American filmmakers among the illustrious films in competition for the Palme d’Or. The Cannes top honour has occasionally gone to American directors (Francis Ford Coppola, Quentin Tarantino), including this year’s jury heads — Joel and Ethan Coen.
Among other films to be screened this year is Macbeth by the Australian director Justin Kurzel. It stars Michael Fassbender and the Marion Cotillard. Fassbender was thoroughly impressed by Cotillard tackling Lady Macbeth in a second language. Mad Max on Thursday should offer a wild reversal to Wednesday’s opening night, where Emmanuelle Bercot’s delinquency drama Standing Tall will open off the festival. — AP
