Travelling for pleasure or work is one thing, but travelling just to access the Internet is unheard of. Filmmaker Longjam Meena Devi had scheduled the post-production of her documentary Andro Dreams (2023), on the sexagenarian Laibi Devi who helms an all-girls soccer team in a remote Manipuri village, a week before the submission-deadline for the International Film Festival of Kerala. Within four days of the breakout of the conflict in Manipur, even private Wi-Fi was snuffed. Initially, Meena, the first woman filmmaker from Manipur to receive a National Award, tried to make do with DIPR’s (Directorate of Information and Public Relations) facilities but the waning net-speed was not conducive to heavy uploads. Though Meena somehow managed, many others, including artistes, have suffered immensely due to lack of connectivity.
Filmmaker Longjam Meena Devi | Photo Credit: Special Arrangement
At Manipuri Nartanalaya, dancer-scholar Yumlembam Bidyananda Singh, a resident of Keishamthong in Imphal, rues that he couldn’t participate in a Kolkata youth dance festival only because he was unable to receive any mail. Later, when the organisers called Bidyananda, he couldn’t travel because of the exorbitant air fare.
Says Bidyananda, who had attended a workshop conducted by guru Bimbavati Devi, the daughter of the illustrious Kalavati Devi, who co-founded the Nartanalaya with guru Bipin Singh and the Jhaveri Sisters, “I had to forego at least five shows. But the one I missed the most was the 2023 Sangai Kumhei festival, organised each year from November 21 to 30 by the Manipur Tourism Department”.
The festival showcases Manipur’s culture at its fullest. “It is close to our hearts. Besides, we get to exchange ideas with visiting practitioners, mainly from Thailand and Myanmar, to amplify our understanding and growth,” adds Bidyananda, who is an assistant professor at Manipur International University.
Contemporary dancer and choreographer Surjit Nongmeikapam in his studio. | Photo Credit: Courtesy: Surjit Nongmeikapam
Acclaimed contemporary choreographer-dancer Surjit Nongmeikapam (Bonbon) had to shelve the staging of his pet project ‘Soul Strings’, which aims to knit together all Manipuri communities. After shows at Churachandpur and Phayeng, close to Kuki valley, the next one had been planned at Haipi, a Thadou-Kuki village,” says Surjit speaking from his Imphal-based Nachom Arts Foundation’s studio.
Though there is no blanket embargo, the locals are in no mood for recreation. Bidyananda, who was in the organising committee of the Viksit Bharat series presented by his teacher Thounaojam Haridas’ institute Guru Sanaton Apunba Hari Sankirtan Neinashang on February 21 this year, says, “I cannot even explain how it felt when doing the event. We had deliberately booked a small-auditorium near the institute since we wanted fewer people to attend. We also avoided a commercial sound system and professional videographers. Nowadays, we do only daytime shows because it becomes risky after dark.”
Factoring Fear
Rumours of organisers and artistes being attacked that initially emerged from Keishamthong in Imphal East have instilled fear in people’s minds. The abduction of Akhu Chingangbam, singer-lyricist and founder of alternate folk-rock group Imphal Talkies, from his Khurai residence and release were widely reported.
Singer-lyricist Akhu Chingangbam of Imphal Talkies. | Photo Credit: Special Arrangement
Despite grave risks, practitioners are braving it out for sustenance. Without performances, learning and rehearsal have become redundant. “As a tutor, I used to previously conduct classes for students of Manipur University (central) and Manipur University Of Culture (state) in my courtyard but since the place is visible from the street, I decided to shift indoors for the safety of the students and my family,” says Bidyananda.
In contrast, Surjit, in keeping with his desire to “build a movement culture”, is rethinking his approach to the art during these trying times. “I am planning to conduct lessons in the open so that people can either observe or join. The purpose is to soothe minds and souls.”
Bidyananda is lucky to have a job; though he is yet to be paid his last month’s salary. Some of his colleagues have taken up sundry jobs. Income for Surjit, who shuns grants, comes chiefly from renting out his mini-truck bought for hauling equipment while his recently inaugurated multi-disciplinary Yumpham Arts Space has been converted into a makeshift boarding school for students of the burnt-down Moreh school, where his uncle was the teacher.
Appeal for donation
Popular Shumang Leela artiste Sagolsem Sana | Photo Credit: Sana’s FB page
Then, there are the Shumaang Leela (Meitei courtyard theatre) artistes, who have also borne the brunt of the violence. This traditional theatre is popular for its ‘Nupi Shabis’ — male actors performing female roles. With no platform to perform, these artistes have turned to construction work or are driving taxis and autorickshaws for a living. A few like Sagolsem Sana, an award-winning actor, are trying to earn through live online performances. “We have also been making appeals for donations.”
Sana, who lives in Paonabazar in Imphal, used to do 100 shows a month, almost three to four shows a day, earning around Rs 1,200 per show. “The stage is my world and I cannot survive without it,” says Sana, with deep anguish in her voice.
Chennai-bound
Manipuri dance couple Sinam Basu Singh and Monika | Photo Credit: Courtesy: Sinam Basu Singh
Sinam Basu Singh and his wife Monika are delighted to travel to Chennai to perform at the Smriti Festival on August 3 at Kalakshetra. The young Manipuri dancer couple sees it as a sign of hope. “ We want tourists back in the culturally-rich state. Manipur is home to more than 200 temples and several art forms. It’s disheartening to see life come to a standstill. This is only our second performance since the violence broke out last May. Before every dance presentation, I have decided to talk about the importance of peace and harmony,” says Sinam.
