Shutterbugs from across the world share images of their varied encounters in an online show

Images of Encounter, a photography show, rallies lensmen from across the globe to share their unusual encounters

November 03, 2020 12:47 pm | Updated November 10, 2021 12:15 pm IST - Kochi

 Behrupiya's which means Impersonator it’s an art form performed mainly on streets of India, Pakistan, Nepal and Bangladesh. Once popular and widespread, the art form is now in decline with most practitioners living in poverty. It was once common for Behrupiya to make a dramatic entrance at wedding or other festivities dressed as a policeman, priest, or other figure and create a commotion.
Due to their expertise with disguise and impersonation, good Behrupiya were recruited as spies by medieval Indian kings. © T. NARAYAN 
*ANY ILLEGAL USE OF THE IMAGE WILL LEAD TO LEGAL ACTIONS*

Behrupiya's which means Impersonator it’s an art form performed mainly on streets of India, Pakistan, Nepal and Bangladesh. Once popular and widespread, the art form is now in decline with most practitioners living in poverty. It was once common for Behrupiya to make a dramatic entrance at wedding or other festivities dressed as a policeman, priest, or other figure and create a commotion.
Due to their expertise with disguise and impersonation, good Behrupiya were recruited as spies by medieval Indian kings. © T. NARAYAN 
*ANY ILLEGAL USE OF THE IMAGE WILL LEAD TO LEGAL ACTIONS*

“Virtual collaborations and exhibitions are avenues to bring artists together at this time,” says Abul Kalam Azad of the Tiruvannamalai-based Ekalokam Trust for Photography (EtP). Along with co-founder Tulasi Swarna Lakshmi, he has conceived and curated a year-long online photography exhibition called Images of Encounter (www.imagesofencounter.com). Online since September 15, this event showcases the work of 29 artists from around the world. The focus of each work is on unusual encounters in an artist’s life.

Thus, a vast and varied mix of images captures a range of emotions and touch upon political and social contexts in a witty, sarcastic and direct manner.

American frontline photographer Robert Nicklesberg’s black-and-white photographs taken with a Mamiya 7 medium format camera were created in 1997 during the 50th anniversary of Indian Independence. He travelled to both sides of the border to photograph and interview people affected by Partition. “I had the feeling that the earlier, and possibly future conflicts between India and Pakistan were not part of the daily concerns of people living in these remote areas.”

On Either Side of the Window displays Lebanese-American photographer Rania Matar’s pandemic-inspired images of house-bound people against their windows. “As the new normal settled in, the portraits started transforming; with the window almost acting like a stage and the people inside becoming active participants in the photo session.”

Rania Matar's photographs as part of Images of Encounter Online Photography show presented by Ekalokam Trust for Photography

Rania Matar's photographs as part of Images of Encounter Online Photography show presented by Ekalokam Trust for Photography

Chinese photographer Xiangjie Peng’s Dwarf Empire series taken in Kunming village in Yunnan province (China) is about the lives of the vertically-challenged people there.

Renowned British photographer Martin Parr, known for combining wit, satire and critique in his images, presents his encounters with the selfie-obsessed generation.

Veteran political photographer Ram Rahman is pleased with the mix of names, especially from the South. He has displayed his encounters with political figures. “I am interested in the theatre of politics — both as it plays out in real life and in the visual graphics of our fantastic street life. Other aspects of street images are magical and fantastical but all speak of a cultural imagination which the camera can capture beautifully.”

Senti-Mental is a series of photographic works done by photographer Abul Kalam Azad in the year 2005 - 2010. In Abul's words, 'Kaleidoscope reminds me of those memorable childhood times… I remember the weekly chandha (market) in my town. An old Muslim fakir used to sell colorful paper covered kaleidoscopes. Almost every week my father had to buy me a new one, as I would have already opened the mysterious kaleidoscope to see what is inside, to know how it works and in the process would have destroyed the kaleidoscope. The joy of looking through those mirrors remained with me like a psychedelic trip…. During early 90s, my experimental photography works included double exposure; scratching on negatives; doodling / painting / needle work on expensive prints; cutting, cropping and manipulating the prints to bring about a Kaleidoscopic view, etc. During 2005, I also had to give way to the growing digital medium and had to start using digital platforms. Using photoshop, I created this body of work titled ‘Senti-mental – a Kaleidoscopic view of life, history and time’. Most of the original analog photographs were taken by me. I also collected / bought quite a few studio portraits from Kerala, Tamil Nadu, Andhra Pradesh and Karnataka. Those Polaroid images have become a mirror image of that time, space and memory… '

Senti-Mental is a series of photographic works done by photographer Abul Kalam Azad in the year 2005 - 2010. In Abul's words, "Kaleidoscope reminds me of those memorable childhood times… I remember the weekly chandha (market) in my town. An old Muslim fakir used to sell colorful paper covered kaleidoscopes. Almost every week my father had to buy me a new one, as I would have already opened the mysterious kaleidoscope to see what is inside, to know how it works and in the process would have destroyed the kaleidoscope. The joy of looking through those mirrors remained with me like a psychedelic trip…. During early 90s, my experimental photography works included double exposure; scratching on negatives; doodling / painting / needle work on expensive prints; cutting, cropping and manipulating the prints to bring about a Kaleidoscopic view, etc. During 2005, I also had to give way to the growing digital medium and had to start using digital platforms. Using photoshop, I created this body of work titled ‘Senti-mental – a Kaleidoscopic view of life, history and time’. Most of the original analog photographs were taken by me. I also collected / bought quite a few studio portraits from Kerala, Tamil Nadu, Andhra Pradesh and Karnataka. Those Polaroid images have become a mirror image of that time, space and memory… "

Kozhikode-based Arun Inham, has amalgamated paintings, sculpture and photography in his series. While Abul has chosen to exhibit from his Senti-Mental, an amalgamation of analog and digital photographs, the series invokes the correlation of time, memories and history.

Post COVID-19, Abul has plans to collaborate with other galleries and also organise Images of Encounter as a print exhibition.

( the show can be accessed at www.imagesofencounter.com )

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