Artist Shamim Qureshi’s calligraphy works based on the verses in the Koran are on display at Salar Jung Museum in Hyderabad

Mumbai-based artist Shamim Qureshi does calligraphy to paint verses from the Koran on terracotta vessels and canvases

May 26, 2023 02:49 pm | Updated 02:49 pm IST

By Shamim Qureshi

By Shamim Qureshi | Photo Credit: Special arrangement

Islamic calligraphy is worship for artist Shamim Qureshi who is exhibiting her Koranic calligraphy works at Hyderabad’s Salar Jung Museum. Titled Rabbana Quranic Calligraphy, the display at a gallery on the first floor of the Western block comprises 22 handcrafted pieces of ceramic and terracotta pots and vases, and mounted canvases, all with verses in calligraphy.

Shamim Qureshi

Shamim Qureshi | Photo Credit: Special arrangement

Mumbai-based Shamim was drawn to art since childhood. In the early 90s, when she did not get admission to JJ School of Arts, she learnt art from a craft teacher in Mumbai and taught herself calligraphy in ‘94. “I used to observe, learn and practise at home,” recalls Shamim. Having carved a niche in the field, the artiste’s speciality is designing Quranic verses on pots and vases. “I give design specifications to a kumhar (potter) and choose a verse or hymn from the Koran, which fits below the vase’s neck like an ornament and gives it an antique look.”

While she works in diverse mediums such as photography, painting, ceramics, and calligraphy, she pursues calligraphy with devotion. Shamim works from a studio at home and travels to participate in exhibitions. It was an exhibition based on the Koran in 2008 in Tehran, Iran which brought recognition to her works. “The team in the then Culture Ministry were surprised to know the work was a handcrafted one and done by a woman.” Shameem’s exhibits have travelled to Jeddah, Algeria and Belgium.

Unlike the calligraphy on paper or canvas, designing it on a pot or vase can be quite challenging. Creating five pieces at a time, Shamim does everything on her own — from clearing the rough edges of a pot to adding layers and filling colours for the design. She says, “Even when I explain the process, others are unable to visualise the images the way I do. Doing it on my own is challenging as it is a strain on my eyes and vision is affected, but I manage to do it as I get sukoon (peace) with every work.”

Shamim feels fortunate to display her works at the Salar Jung Museum in Hyderabad. “Yahan pe cheezon ko parakhne ki kala logon mein hai; Bahut maza aata hai jab log mujhe mere kaam ke baare mein vista se poochte hain (Here, people are discerning. I enjoy it when they ask about my work in detail, )” says Shamim.

Rabbana Quranic Calligraphy exhibition is on at Salar Jung Museum till May 31.

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