Art in the belly of the city

Peter Griffin spends a rain-soaked evening on a prowl with the Mumbai Midtown Arts Collective

September 27, 2018 09:45 pm | Updated September 28, 2018 05:43 pm IST

Art attack: (Top) Walkthrough conducted by Kit Hildyard at Volte Gallery; (below) works on display at Tao Art Gallery.

Art attack: (Top) Walkthrough conducted by Kit Hildyard at Volte Gallery; (below) works on display at Tao Art Gallery.

Slightly drenched from a sudden heavy burst of rain, I clatter into the silence of a small art gallery. A short, slim man in sneakers, jeans and shirt is drawing with a dry marker on the glass wall that separates the entrance area from the main gallery; a half-dozen or so visitors watch in silence, their phones raised in the tribute of this era; the staffer on hand makes no attempt to stop him or them, so this is no guerrilla graffitist. His lines are confident, sure; they are the shapes and forms that feature on the many large canvases on the walls around us, only monochrome. He moves around to the other side of the glass and continues. The door behind us opens, and a group laughing at its own mildly bedraggled state bustle in, but quickly, they form a silent semi-circle. The man steps back, studies the lines, steps forward to add a few more, then back again. He is satisfied. He moves to the top corner of the glass and signs his name and the year: Pisurwo, 2018. The audience — for that is what we are for the moment, not gallery visitors — applauds.

This is the first Art Night Friday, an initiative by the Mumbai Midtown Arts Collective. The member organisations are spread out over too large an area to cover in one evening, even over several hours (though all are staying open past usual closing times), so MMAC has split it into two walks. This one covers the Worli area, and I’ve missed the first gallery. On the suggestion of Rashmi Dhanwani, one of the organisers, I had started with the first stop on the other walk, the auction house Saffronart in Prabhadevi, where she said I’d get to see art usually unavailable to the public.

Getting acquainted

There, a Saffronart representative took us through works that will shortly be on sale by Saffronart’s StoryLTD wing in a ‘no reserve’ auction (the art is sold to the highest bidder, with no minimum or reserve price) of modern and contemporary art, with names even those barely familiar with art would recognise: Hussain, Raza, Souza, Padamsee. A mild criticism here: the walkthrough covered about two-thirds of the exhibits before we had to move to the next stop; one needs either more time for this space, or less time spent on each work, which would be sad. Before we left, we got a quick run-through of how to bid on the website, and then we headed to Sarika Bajaj’s installations at Anupa Mehta Arts, and the big S.H. Raza show at Piramal.

Or rather the others did. I intend to devote an entire evening to the Raza soon, so I defected to Tao in Worli. Only to be intercepted by heavy rain and lashing winds. By the time I get in, semi-drenched as my umbrella lost its battle with wind gusting in from the Haji Ali sea face, the other walkers had left for Art & Soul, where Pisurwo was showing as well as putting on a show.

Shivering in the hyper-ACed space, we peeped out the door to see the fickle rain had stopped. But ten minutes later, as we set out for the last stop of the evening, the heavens open up again and once more we were all semi-sodden.

Last stop, Volte, in one of the bylanes near Doordarshan, is too far to walk in this downpour, so cabs and cars are shared. Regrouping at our destination, Dhanwani notes, pleased, that while some people had visited only one or two of the stops, there seemed to be at least 15 who had stayed through. “Not bad for a rainy day!”

Volte is small, the least gallery-like, if there is such a descriptor: the building has the feel of a repurposed industrial estate, and the gallery is bare walls, several paintings and a couple of installations. The walkthrough was correspondingly brief, but informative. A quartet of Anish Kapoor paintings, we were told, are available quite cheap, at three lakh a pop. We are encouraged to stay, sip wine and nibble chips, and chat, even though we are probably the last people still in the building, and most of us do, breaking into smaller groups, discussing the artists, art, and accessibility, which is what these walks are about, versus gatekeepers, which these spaces usually are.

And then we walk out into more rain.

Come together

The art walk concept isn’t original; it’s based on Art Night Thursdays, which have been happening once a month in south Mumbai’s art precinct for the last few years. “I’ve been in discussion with Abhay Maskara from the Colaba galleries group for many years,” says Anupa Mehta, gallerist and arts consultant. “It all crystallised in January at the annual Mumbai Gallery Weekend (MGW) when the mid-town art spaces were allocated a separate listing.” Dhanwani, founder of the Art X Company, an arts consultancy specialising in audience engagement and arts research, continues, “Anupa and I worked pro bono to galvanise the mid-town spaces during MGW last year — in preparation for the event this year — and realised that we all worked very well together.” Getting the group to agree to be part of MMAC wasn’t tough after that; the collective as it is formed in April, and more members are expected to join in the coming months. “We are hoping to expand as we would like to see a wide variety of spaces be a part of the collective,” said Dhanwani.

The walks are free and open to the public. Unlike in the Kala Ghoda area, the mid-town art walks will happen only once every three months. The team is analysing the feedback from the first walk, and if necessary, they will make tweaks to ensure that MMAC is sustainable and can grow. But it’s not that the intervening months will be barren: on the second Sundays of the other two months of each quarter, the members will take turns hosting Art Sundays, which will be workshops and other open sessions. “In the cooler and non-rainy months where one can do events in the open, we plan to do Art Sundays in public spaces, such as gardens and roads. We are also talking to various public institutions, Nehru Science Centre for instance, to try and get them involved. This also perhaps answers your concerns about access for those who don’t necessarily and generally enter galleries.” (This writer had expressed concerns that art of the kind that one finds on gallery walls is inaccessible and prohibitively expensive to many of the original residents of the mid-town area, like the former mill workers.)

What’s in it for the spaces?

For auction house Saffronart, not normally open to the public, it helps them find new audiences they would not otherwise reach, and for those audiences, it’s a chance to see work that usually came from and will go into private collections. Dinesh Vazirani, CEO and co-founder, says, “Often, the works in our sales have never been in the public eye before.” Tarana Khubchandani, gallery director of Art & Soul, describes it as “an exciting opportunity to make art experiences inclusive, an opportunity for young collectors to explore all the galleries geographically connected.” It is an acknowledgement, she says, that the city is no longer centred in the south and marks the waist of the city as significant. Sanjana Shah of Tao says that it’s more than bringing attention to the galleries: “It is about allowing [local residents] to know that their area too provides the opportunities to immerse into art and its enriching experience.”

The second Art Night Friday is today at 6 p.m.. The walk is free, transport and a post-event mixer are on offer for a price. More details at or via email (

Top News Today

Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in


Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.