Every story Gracy’s Baby Doll gravitates towards places where one confronts a piece of her long-suppressed self. You are taken to a vivid and nuanced world populated by men, women, even ghosts, who are jealous and rebellious, frustrated and depressed, vulnerable and queer in their own triumphant ways. Her protagonists — mostly women — are gloriously flawed.
(Stay up to date on new book releases, reviews, and more with The Hindu On Books newsletter. Subscribe here. )
Halfway into the book, the author intervenes in her own voice to say that her “stories never traverse the luminous paths” and she is not “a storyteller who spreads light.” Gracy is irreverent with aplomb.
ADVERTISEMENT
Women are not victims in
The nameless husband in ‘Cat’ is terrified of the feline traits of his wife and believes that a tomcat visits her every night. The she-lizard in ‘A Lizard Birth’ says she is least interested in the breeding-child bearing cycle. But it’s the children in Baby Doll who sear your soul — their tragedies lend coherence to the all-pervading air of melancholy.
While some stories are drawn-out chronicles of solitude, some are miniatures strewn with dark humour and sarcasm. Gracy revels in playful blasphemy, stiletto-sharp humour and clever imagery, which bring home the toxic taste of misogyny. E.V.Fathima’s translation deftly handles the intimidating simplicity of Gracy’s syntax, making
ADVERTISEMENT
ADVERTISEMENT
Baby Doll: Stories; Gracy, trs Fathima E.V.; Harper Perennial India; ₹399.
navamy.sudhish@thehindu.co.in