When she was 19, she watched her younger sister perform on stage and felt a “twinge of jealousy. I suddenly felt that she had matured as an artiste and was depicting intricate movements and characters. Suddenly there was this strong urge to go back to the form,” says Purnima about her second innings.

She gives all the credit to her new teacher – Evoor Rajendran Pillai. “He was extremely patient and would enact every character over and over again just so that I could imbibe the correct gestures and emotions. It was his patience that encouraged me and I was suddenly enamoured by Kathakali and started spending hours practising it as I understood the lyrics and the background of the character,” explains Purnima.

She adds that her guru is also one of the few men, who encourages women to learn Kathakali. “He, in fact, challenges us by making us perform rigorous male roles. I started with the role of Bheema. It was received well and thus began my journey on stage,” smile the proud dancer, who then went on to depict Hanuman, Putana, Sri Rama and Krishna.

“I think its because of my height that I get the lead roles, though I wouldn’t mind donning a negative character as it gives you an opportunity to growl. It is fun to growl on stage, ” she laughs.

Then she goes on to talk about the challenges she faces backstage. Putting on make up and costume takes three hours. “The costume and the make up simply sweep me off my feet. Just to get my chutti (the jaw piece) takes one-and-a-half hours. It is always men who help us with the costumes, make up and head gear.”

Talking about what the make up signifies, Purnima says: “The good guys have their faces painted red, the villains from the royal family are depicted with the green and red paint, while the commoner villains sport red and black paint.”

Reminiscing about playing Hanuman, she says with a laugh: “I jumped off the stage and monkeyed around a bit with the audience.”

Purnima, manages four to five performances in Bangalore. “I generally work with travelling groups that would require short rehearsals.” She also gives credit to Lalitha Das from Bangalore’s Club for Kathakali and Arts, who she says encouraged her to continue in this art here.

“I am still a student. There is so much to learn. But in the future I would love to start a school for Kathakali here. As an artiste when you perform, Kathakali is exhausting, but it is a complete art form with songs, theatre, percussion and music. Today I will choose Kathakali over anything else,” she beams.

Purnima can be contacted on purnimamnon@yahoo.com.

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