Book Indian writers are finding new ways to spook their readers out
Indian writing in English has come into its own with writers in every genre. Athul Demarco’s AN.AL The Origins, Hamraz Ahsan’s Kabuko The Djinn and Sriramana Muliya’s collection of short stories Frankly Spooking are among the newest horror books flying off the shelves.
Why do people like to be scared out of their wits? Shubir Rishi, who works for an online news portal and is a fan of Stephen King, says: “I think the reason people read horror stories is the fascination for the unknown.”
Psychologist Shruthi Ahluwalia says: “One can liken fascination for horror stories to enjoying amusement park rides or indulging in extreme sports. As human beings, when a threat presents itself to us, our body reacts to it with either a fight or flight response. In this case, there are a whole bunch of people who won’t flee from what might be threatening but would rather fight the fear by indulging in the activity.”
People are often sceptical about picking up a horror novel by an Indian author for fear that it might not be as scary. Sriramana thinks you cannot really blame them. “Horror stories in the Indian context are filled with clichés and stereotypes, and we need to go beyond them. For me personally, I'd like to bust that myth by bringing in certain elements of novelty to the basic premise. For example, in Frankly Spooking , there are stories where the spooks come from a pair of earphones, a teddy bear and even a tattoo! My understanding is that if horror is about scaring someone, we might as well find novel ways of doing it. And that’s why most of my stories are set in an urban, contemporary setting where one would least expect anything spooky to happen, at least in the conventional way.”
Arnab Ray, author of The Mine , a psychological horror novel, feels: “The general rule of thumb for IWE (Indian writing in English) is that romances are really the only thing that sell. People want to read about things that are familiar and comforting. Even on the horror front, people prefer motifs of ‘love’.”
Given that the country is gradually taking to horror writing, one wonders how spooked out Indian writers and readers are willing to get. Sriramana finds that “horror is primarily a youth genre. Elders look at the paranormal/supernatural with a different set of eyes, but yes, Indian readers and writers are slowly pushing the cart. And it’s moving.”
With the breed of horror writers growing, Sankalp Khandelwal, associate commissioning editor, Fingerprint, says: “Horror has never been big in Indian publishing and most attempts have been in the form of short story collections. Full-length Gothic novels in English by Indian authors are rare and those from foreign writers enjoy only a niche market.” However, he adds: “In recent years, the market has become receptive to fresh voices in unusual genres.”
It sure looks like it is only a matter of time before we bid adieu to zombies and witches on brooms. People’s thirst for bloodcurdling plots and mysteries is on the rise and Indian authors are going all out to quench their readers’ thirst!