A healthy Rog this...
After "Haasil" and "Maqbool" brought him accolades, Irrfan looks for contentment with "Rog"
WHEN LOVE is a disease? Brooding eyes exuding an enigmatic empathy and a swagger bringing forth some ominous expressions, if all this could be present in one form, love could indeed kill. The tagline explains Rog, Pooja Bhatt's latest production and the form in question is Irrfan who after Maqbool has again fallen for the female form, however, this time interestingly the figure is a sensuous South African and curiously is a departed soul in the film.
"Yes, I fall in love with the photograph of a lady played by Ilene Hamann, whose murder I am investigating as a police officer in the film. But the film works at different levels. First is the investigation, second is this fascinating love story. And at the third level it captures the psyche of this character going through this strange crisis. The last part is most interesting because generally our films limit themselves to plot and script, they don't delve into and capture the human mind. The idea came while shooting, Maheshji (Bhatt), who has written the script and I decided to focus on the behaviour of the person who can't deal with beauty, a persona of magical proportions and starts becoming negative in approach," explains Irrfan terming the character as the biggest challenge in his career.
Irrfan takes his newfound stardom, female fan following, reams being written about his infectious eyes and gestures and to top it all a lifestyle channel like Zoom offering him a show Kya Kahen with a hearty laugh. "Of course the industry has suddenly discovered me in a new light. But my feet are very much in the ground. I come from a background where relatives don't have to take permission to visit your home. Fortunately, my wife (scriptwriter Sutapa Sikdar) is from the same industry so she understands the ways of Bollywood. She knows I am not sleeping with other women and I am always there whenever she needs me. We don't believe in you live your life, I have my own."
Actor versus star
Irrfan denies he is representing some kind of change in Bollywood where actors could stand up to stars. "There have always been actors in this industry. Be it Mithun or Amitabh or for that matter Shatrughan Sinha. Problem lies with how much do you experiment once you become a star. I have a strange problem I want to work both for money and enjoyment. I tried to work for money but that didn't bring me enjoyment. Had I accepted such offers I would have been present in eight out of ten films whose promos are on air. So I am doing few films. However, I must admit that idiom of film making is changing and now there is space for actors like me."
His few project include Mira Nair's The Namesake based on Jhumpa Lahiri's novel where he plays "the significant character of Ashok Ganguly husband of Ashima Ganguly to be played by Konkona Sen Sharma and father of Gogol to be essayed by Abhishek Bachchan." Then he tests his comic timing, not seen on big screen so far, in Dubai Return and Sade Saat Phere with Juhi Chawla and then there are some negative shades for friendship in between in Saurabh Shukla's Chehra. There lies the infection. Isn't it!
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