Avant-garde mosque angers hard-liners in Iran

February 25, 2018 12:45 pm | Updated 12:45 pm IST - TEHRAN:

 In this Wednesday, Feb. 7, 2018, photo, Reza Daneshmir, right, gestures as he talks with his wife Catherine Spiridonoff, both architects of Vali-e-Asr mosque, while they walk on one of the mosque's ramps, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.

In this Wednesday, Feb. 7, 2018, photo, Reza Daneshmir, right, gestures as he talks with his wife Catherine Spiridonoff, both architects of Vali-e-Asr mosque, while they walk on one of the mosque's ramps, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.

A newly built avant-garde mosque in the heart of Iran’s capital has infuriated hard-liners, who see it as part of a creeping secular onslaught on the Islamic republic.

It has also emerged as the latest battleground in a culture war between hard-liners and Iran’s vibrant artistic community, which has hoped for greater openness since President Hassan Rouhani, a relative moderate, was elected in 2013.

The architects behind the Vali-e-Asr mosque, which is to open to the public in the coming months, say that instead of traditional rounded domes and towering minarets, they opted for a modern design of undulating waves of gray stone and concrete.

An editorial posted on the Mashregh news website compared the curvature to that of a Jewish yarmulke, accusing authorities of “treason” for approving it.

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